Le lieu malgre tout
Bibliographic Data
| ID | 3250213 |
|---|---|
| Authors | Georges Didi-Huberman, Georges Didi‐huberman (corresponding author) |
| Year | 1995 |
| Issue | 46 |
| Pages | 36 |
| Publication date | 1995-04-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Vingtième Siècle Revue d histoire (JOURNAL) |
| Journal identifiers | ISSN: 0294-1759 • E-ISSN: 1950-6678 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.3917/ving.p1995.46n1.0036 |
| OpenAlex | W4390366597 |
| Language | EN |
| Citations received | 2 |
The place despite everything, Georges Didi-Huberman. In Shoah, Lanzmann did not want to make an "idealistic film" where major questions would be asked but a "geographer's, topographie" film, by forever returning to places of eternal destruction that, even destroyed after the war, "have not changed". For him, the Holocaust must in no case belong to memory, it must remain an inquiry into the present aspects of the camps. What do these camps impose to us? To which images do they refer? What good is it to go back to them? These are the filmmaker's questions who finds the right form to convey what cannot be said. By asking the survivors to return to the camps, Lanzmann has changed the course of cinema in its conscience and in its history
Aesthetics · Art · Art history · Cartography · Conscience · Film director · Geographer · Geography · Movie theater · Political science · Psychoanalysis · The Holocaust · Visual arts · French Historical and Cultural Studies · French Urban and Social Studies · History · Law · Political and Social Issues · Psychology
| Unique citing works | 2 |
|---|---|
| Citations per year | 1 |
| Citation span | 2024 - 2024 (1) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 2 |