Volumetric Reconstructions of Found Footage
Stressing the Nonidentity of 3D Replicas
Bibliographic Data
| ID | 3307520 |
|---|---|
| Authors | Gabriel Menotti (0000-0002-7435-5539, Gabriel Menotti, Queen's University, 99 University Avenue, Kingston, ON K7L 3N6, Canada. Email: [email protected]., corresponding author) |
| Year | 2021 |
| Volume | 54 |
| Issue | 5 |
| Pages | 487-492 |
| Publication date | 2021-10-14 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | The MIT Press (PUBLISHER • US) |
| DOI | 10.1162/leon_a_01910 |
| OpenAlex | W3011692847 |
| Language | EN |
| Citations received | 3 |
| References cited | 5 |
This article examines the history and operational underpinnings of forms of volumetric reconstruction based on the capture of visual data, particularly photogrammetry. Photogrammetry is one of the chief techniques currently employed in the production of virtual replicas for heritage conservation and audiovisual production. The computational realism resulting from this process induces the belief that it is possible to recover the totality of an object from its medial traces. The author analyzes how his work, as well as those of other artists, challenges this technological promise by exploring the formal idiosyncrasies of photogrammetric models
Art · Object (grammar) · Photogrammetry · Process (computing) · Realism · Visual arts · Archaeological Research and Protection · Artificial Intelligence · Computer Science · Photography and Visual Culture · Visual Culture and Art Theory
| Citations per year | 0.75 |
|---|---|
| Citation span | 2022 - 2026 (5) |
| Highly cited | No |