Remediated Sites

The Lumen Prize Virtual Gallery as Site of Memory and Digital Assemblage

Bibliographic Data

ID10289002
AuthorsOliver Gingrich (0000-0002-1656-0032, Oliver Gingrich, University of Roehampton, Roehampton Lane, SW15 5PJ, London. Email: [email protected].), Paula Callus (0000-0003-2007-9310, Paula Callus, Bournemouth University, Fern Barrow, BH12 5BB, Poole, U.K. Email: [email protected].)
Year2022
Volume55
Issue5
Pages475-481
Publication date2022-10-01
Open AccessNo
TypeARTICLE
VenueLeonardo (JOURNAL)
Journal identifiersISSN: 0024-094X • E-ISSN: 1530-9282
PublisherMIT Press (PUBLISHER • US)
DOI10.1162/leon_a_02251
OpenAlexW4285792844
LanguageEN
References cited12

During the COVID-19 pandemic, new spaces for archives, creative representation, and display created novel ways of accessing, experiencing, and cataloging media art. Leonardo’s Lumen Prize 2020 exhibition offers a third space between virtual exhibition as a site of memory and an archive of knowledge and artistic production—a place of digital assemblage. Bolter and Grusin’s remediation theory sheds light on the many visual strategies employed by the artists and designers of The Lumen Prize 2020 exhibition. The authors discuss pertinent questions of immediacy and hypermediacy coexperience, and accessibility in generating this site of memory

Archaeology · Art · Assemblage (archaeology) · Exhibition · Immediacy · Representation (politics) · Space (punctuation) · Visual arts · Aesthetic Perception and Analysis · Computer Science · History · Museums and Cultural Heritage · Visual Culture and Art Theory

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