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Ecocompositional and Performative Strategies for Creative Usage of Everyday Sounds

Creative Semantic Anchoring

Bibliographic Data

ID3317038
AuthorsDamián Keller (0000-0002-0866-3066, Universidade Federal do Acre, corresponding author), Leonardo Vieira Feichas (0000-0002-5288-6873, Universidade Federal do Acre, corresponding author), Leonardo Feichas (Universidade Federal do Acre)
Year2018
Volume51
Issue2
Pages195-196
Publication date2018-04-01
Open AccessNo
TypeARTICLE
VenueLeonardo (JOURNAL)
Journal identifiersISSN: 0024-094X • E-ISSN: 1530-9282
PublisherMIT Press - Journals (PUBLISHER)
DOI10.1162/leon_a_01526
OpenAlexW2734380390
LanguageEN
Citations received2
References cited5

The authors cover recent advances in ecologically grounded creative practice, highlighting performative strategies in instrumental writing. They address techniques adopted in ecocomposition and propose an expansion of the available resources by introducing a new method: creative semantic anchoring. The underlying concepts are presented and a case study-targeting the performative practice of Flausino Valle's 26 Characteristic and Concert Preludes for Solo Violin-is described

Aesthetics · Anchoring · Art · Cognitive science · Cover (algebra) · Creativity · Performative utterance · Computer Science · Engineering · Music and Audio Processing · Music Technology and Sound Studies · Neuroscience and Music Perception · Psychology · Social Psychology

  • Um Percurso de Pesquisas sobre Flausino Valle desde o Long Play de Jerzy Milewski (1985)

    Open Access•Leonardo Vieira Feichas, Emerson Biaggi et al.•Revista Vórtex•2023

  • Imitação/evocação de sons da Natureza e o Catálogo de Imitações de Flausino Valle

    Open Access•Leonardo Vieira Feichas, Letícia Porto Ribeiro•Per Musi•2024

  • Compositional Processes from an Ecological Perspective

    Damián Keller•Leonardo Music Journal•2000

  • Material anchors for conceptual blends

    Open Access•Edwin Hutchins•Journal of Pragmatics•2005

Citations per year0.67
Citation span2023 - 2024 (2)
Highly citedNo

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