Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

The No to Nothing, and the Nothing to Know

Immanent Transcendence as Eschatological Mystery

Bibliographic Data

ID3397888
AuthorsB Putt (0000-0001-7540-9941, Samford University, corresponding author)
Year2017
Volume8
Issue4
Pages64
Publication date2017-04-11
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueReligions (JOURNAL)
Journal identifiersISSN: 2077-1444 • E-ISSN: 2077-1444
PublisherMDPI AG (PUBLISHER • IT)
DOI10.3390/rel8040064
OpenAlexW2607390834
LanguageEN
Citations received1
References cited15

At an annual American Academy of Religion conference thirty years ago, Robert Scharlemann presented a paper in which he compared and contrasted Barth and Tillich with reference to how they named God in their respective theologies. He suggested that the former labeled God the "no to nothing," while the latter symbolized God as the "nothing to know"-appellations out of which he formed his presentation title "The No to Nothing and the Nothing to Know: Barth and Tillich and the Possibility of Theological Science." I have purloined Scharlemann's title for my own essay, with the intent not only to maintain its theological implications but also to use it as a rubric for prosecuting the putative relationships that obtain among anticipation, nihilism, transcendence, mystery, and eschatology. If there are various species of transcendence, and if one can use and not merely mention the word "mystery" in some constative manner, then how may one speak of the actuality and potentiality of meaning? Is there a futurity to existential significance that empowers a life-affirming hope, which, in turn, embraces the inescapability of the "nothing" without plunging, or leaping, into the abyss of nihilism-the "no to nothing?" Alternatively, may one genuinely anticipate eschatological aspirations while remaining open to the enigma of the unprogrammable aleatoric "to come"-the "nothing to know?" Furthermore, how might one name "God" under either of these circumstances, even were one not to hold to any type of confessional theological ontology? Using John Caputo's radical theology of the insistence of "God" as my Virgil (or Beatrice, which ever applies!) to guide us through the various paths one might take towards a genuine hope, I propose to investigate the plurivocity of discourses on meaning by inter-relating Caputo's "nihilism of grace" with several supplementary works, including Ray Hart's God Being Nothing, Amie Thomasson's Fiction and Metaphysics, Stuart Kaufmann's Humanity in a Creative Universe, Catherine Keller's Cloud of the Impossible, and Richard Kearney's Anatheism. Additionally, I will also consult aesthetic vocabularies that address the issue, specifically the poetry of Robert Browning, Dan Fogelberg, and Wallace Stevens, along with the Abstract Expressionist work of Mark Rothko. I will conclude the essay by suggesting that although one may expound on the desire for existential meaning through diverse discourses, if there is genuinely any realization of that meaning, it will occur regardless of how it is articulated. That is to say, the creative and transformative function of any transcendent meaning may work ex opere operato in a manner similar to Shakespeare's rose that does not depend on one exclusive naming

Epistemology · Existentialism · Nihilism · Nothing · Theology · Philosophy · Religion, Ecology, and Ethics · Religious Studies and Spiritual Practices

  • "Introduction to "In Anticipation

    Open Access•Justin Sands•Religions•2017

  • God, the Gift, and Postmodernism

    John Caputo, Apology for the Impossible: Religion et al.•God, the Gift, and Postmodernism•1999

  • The Prayers and Tears of Jacques Derrida

    John D Caputo•Prayers and Tears of Jacques…•1997

  • Reimagining the Sacred

    Richard Kearney, Jens Zimmermann•Reimagining the sacred•2015

  • The Mystical Element in Heidegger's Thought

    Sandra Lee Bartky, John D Caputo•Philosophy and Phenomenological…•1981

  • Fictional Characters and Literary Practices

    Amie L Thomasson•The British Journal of Aesthetics•2003

Unique citing works1
Citations per year0,11
Citation span2017 - 2017 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

Tools

Open DOISci-HubOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae