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Re-creating Ayida-wèdo

Feminizing the Serpent in Lilas Desquiron's Les Chemins de Loco-Miroir

Bibliographic Data

ID3440150
AuthorsBrinda J Mehta (corresponding author), Brinda Mehta
Year2002
Volume25
Issue2
Pages654-670
Publication date2002-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueCallaloo (JOURNAL)
Journal identifiersISSN: 0161-2492 • E-ISSN: 1080-6512
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/cal.2002.0091
OpenAlexW2085016300
LanguageEN
Citations received2
References cited6

Dance, when you're broken open. Dance, if you've torn the bandage off. Dance in the middle of the fighting. Dance in your blood. Dance, when you're perfectly free. —Rumi

Art · Art history · Dance · Visual arts · Caribbean and African Literature and Culture

  • Unsilencing the Haitian Revolution

    Open Access•R Douglas•Atlantic Studies•2020

  • Subjecting Pleasure

    Open Access•Smita Das•Journal of Black Studies•2013

  • Sacred Possessions

    Lily Litvak, Margarite Fernández Olmos et al.•Hispanic Review•1998

  • Mama Lola

    Brown Michel, Karen Mccarthy Brown et al.•Mama Lola•2011

  • Woman, Native, Other

    Open Access•Pratibha Parmar, Trinh T Minh-Ha et al.•Feminist Review•1990

  • Les Chemins de Loco-Miroir

    Lilas Desquiron, Jean Desquiron•Callaloo•1992

  • Ainsi parla l'oncle

    Jean Price-Mars•Ainsi parla l'oncle•2009

  • Myth, Religion and Mother-Right

    Ninian Smart, Johann Jakob Bachofen et al.•Journal of Religion in Africa•1971

Unique citing works2
Citations per year0,15
Citation span2013 - 2020 (8)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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