Creative Aspects of Sonification
Bibliographic Data
| ID | 3442034 |
|---|---|
| Authors | Oded Ben-Tal (Stanford University), Oded Ben‐Tal (0000-0003-2719-8152, Stanford University, corresponding author), Jonathan Berger (0000-0002-9085-0900, Stanford University, corresponding author) |
| Year | 2004 |
| Volume | 37 |
| Issue | 3 |
| Pages | 229-233 |
| Publication date | 2004-06-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/0024094041139427 |
| OpenAlex | W2158233643 |
| Language | EN |
| Citations received | 4 |
| References cited | 2 |
Agoal of sonification research is the intuitive audio representation of complex, multidimensional data. The authors present two facets of this research that may provide insight into the creative process. First, they discuss aspects of categorical perception in nonverbal auditory scene analysis and propose that these characteristics are simplified models of creative engagement with sound. Second, they describe the use of sonified data in musical compositions by each of the authors and observe aspects of the creative process in the purely aesthetic use of sonified statistical data
Art · Categorical variable · Cognitive psychology · Cognitive science · Human–computer interaction · Musical · Perception · Process (computing) · Representation (politics) · Sonification · Visual arts · Computer Science · Multisensory perception and integration · Music and Audio Processing · Neuroscience and Music Perception · Psychology
| Unique citing works | 4 |
|---|---|
| Citations per year | 0.19 |
| Citation span | 2005 - 2018 (14) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |