The Works of Anne Bradstreet
Bibliographic Data
| ID | 3538533 |
|---|---|
| Authors | O M Brack (corresponding author), Jeannine Hensley |
| Year | 1968 |
| Volume | 25 |
| Issue | 4 |
| Pages | 655 |
| Publication date | 1968-10-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | The William and Mary Quarterly (JOURNAL) |
| Journal identifiers | ISSN: 0043-5597 • E-ISSN: 1933-7698 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/1916812 |
| OpenAlex | W1977639099 |
| Language | EN |
| Citations received | 16 |
Anne Bradstreet, first true poet in American colonies, wrote at a time and in a place where any literary creation was rare and difficult and that of a woman more unusual still. Born in England and brought up in household of Earl of Lincoln where her father, Thomas Dudley, was steward, Anne Bradstreet sailed to Massachusetts Bay in 1630, shortly after her marriage at sixteen to Simon Bradstreet. For next forty years she lived in New England wilderness, raising a family of eight, combating sickness and hardship, and writing verse that made her, as poet Adrienne Rich says in her Foreword to this edition, the first non-didactic American poet, first to give an embodiment to American nature, first in whom personal intention appears to precede Puritan dogma as an impulse to verse.All Anne Bradstreet's extant poetry and prose is published here with modernized spelling and punctuation. This volume reproduces second edition of Several Poems, brought out in Boston in 1678, as well as contents of a manuscript first printed in 1857. Adrienne Rich's Foreword offers a sensitive and illuminating critique of Anne Bradstreet both as a person and as a writer, and Introduction, scholarly notes, and appendices by Jeannine Hensley make this an authoritative edition.Adrienne Rich observes, Intellectual intensity among women gave cause for uneasiness at this period--a fact borne out by lines in Prologue to early poems: I am obnoxious to each carping tongue/ Who says my hand a needle better fits. broad scope of Anne Bradstreet's own learning and reading is most evident in literary and historical allusions of The Tenth Muse, first edition of her poems, published in London in 1650. Her later verse and her prose meditations strike a more personal note, however, and reveal both a passionate religious sense and a depth of feeling for her husband, her children, fears and disappointments she constantly faced, and consoling power of nature. Imbued with a Puritan striving to turn all events to glory of God, these writings bear mark of a woman of strong spirit, charm, delicacy, and wit: in their intimate and meditative quality Anne Bradstreet is established as a poet of sensibility and permanent stature
American poetry · Art · Art history · Hoax · Literature · Poetry · Prologue · Punctuation · American Literature and Culture · Classics · History · Philosophy
Women's Writing in the British Atlantic World
Negotiating Theology and Gynecology
Two Schools of Desire
Healing in the History of Christianity Presidential Address, January 2002 American Society of Church History
Disgusting Affects from the Antinomian Controversy to the Antiabortion Movement
Making Emends
The Art of Purifying
Maternity, Midwifery, and Ministers
Boston/Sob Not
The Difficult Miracle
Generations and Regeneration
The Immanent Pattern”
Women's Autobiography and the Hermeneutics of Conversion
Transatlantic Dame School
Anne bradstreet
Sweet Resoundings
| Unique citing works | 16 |
|---|---|
| Citations per year | 0,35 |
| Citation span | 1980 - 2018 (39) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 16 |