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Le Pleur dududuket la Danse duzurna. Essai de Typologie Musicale des Emotions dans le Calendrier Rituel Yezidi

Bibliographic Data

ID3616494
AuthorsEstelle Amy De La Bretèque (corresponding author)
Year2011
Volume56
Issue2
Pages385-401
Publication date2011-12-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueActa Ethnographica Hungarica (JOURNAL)
Journal identifiersISSN: 1216-9803 • E-ISSN: 1588-2586
PublisherAkademiai Kiado Zrt (PUBLISHER)
DOI10.1556/aethn.56.2011.2.8
OpenAlexW2079653911
LanguageFR
Citations received4
References cited4

By analyzing enunciation in performance, this article shows the similarities among funeral laments, epic songs, exile songs and the playing of the duduk (oboe). Regarded as “words on” (kilamê ser), these four types of enunciation share melodic, metric, gestural and emotional elements. According to local typologies, the “words on” are opposed to songs (stran), a term referring mostly to wedding music and the zurna (oboe). The opposition between word and song is also related to a series of antinomic couples, such as exile vs. household, sadness vs. joy, or duduk vs. zurna. An analysis of these music and enunciation typologies of emotion allows an approach to Yezidi ritual and calendar time

Art · Art history · Humanities · Melody · Musical · Oboe · Visual arts · African history and culture analysis · Language, Linguistics, Cultural Analysis · Linguistics and Cultural Studies

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Unique citing works4
Citations per year0,29
Citation span2012 - 2021 (10)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 4

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