Cultural Politics and a Music Recording Project
Producing Strike Em!: Contemporary Voices from the Torres Strait
Bibliographic Data
| ID | 3617445 |
|---|---|
| Authors | Karl Neuenfeldt (corresponding author) |
| Year | 2001 |
| Volume | 22 |
| Issue | 2 |
| Pages | 133-145 |
| Publication date | 2001-08-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Intercultural Studies (JOURNAL) |
| Journal identifiers | ISSN: 0725-6868 • E-ISSN: 1469-9540 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/07256860120069567 |
| OpenAlex | W2059445973 |
| Language | EN |
| Citations received | 7 |
| References cited | 13 |
This article focuses on two primary processes: the role of cultural politics in the production of a Torres Strait Islander community CD; and the role of music producers as cultural brokers using music to mediate between different cultures. It provides background on the positioning of Torres Strait Islanders in Australian society and how their music is situated within the national and transnational marketing genre of 'world music'. The two processes are seen as complex and unpredictable, requiring detailed but often initially ad hoc attention to cultural, commercial and creative concerns. Because the recording project was the first of its kind, cultural protocols and networks with stakeholders had to be developed so it was considered mutually beneficial to all participants
Cultural geography · Cultural politics · Human geography · Media studies · Music Geography · Political science · Politics · Situated · Social science · Sociology · Cultural Industries and Urban Development · Diverse Musicological Studies · Law · Music History and Culture
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| Unique citing works | 7 |
|---|---|
| Citations per year | 0,25 |
| Citation span | 1998 - 2021 (24) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 6 |