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Picturing the New Berlin

Filmic Representations of the Postunification Capital

Bibliographic Data

ID3619906
AuthorsRob Burns (0000-0001-5614-7624, University of Warwick [email protected], corresponding author)
Year2015
Volume33
Issue1
Pages159-171
Publication date2015-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueGerman Politics & Society (JOURNAL)
Journal identifiersISSN: 1045-0300 • E-ISSN: 1558-5441
PublisherBerghahn Books (PUBLISHER • GB)
DOI10.3167/gps.2015.330112
OpenAlexW2326478286
LanguageEN
Citations received1

Just as Berlin as a political, social, ethnic, and material entity has undergone considerable change since 1989, so too the cinematic representations of the new capital over the last twenty years or so have projected a diverse set of images of the city. This article considers a selection of fiction films that can be grouped together under three broad thematic category headings: those dealing with Berlin's past, those addressing the city's multicultural identity and, most substantially, those films in which the capital of the new "Berlin Republic" can be read as a metaphor for postunification Germany. What all three categories have in common, it is argued, is that the image of Berlin that emerges from most of these films remains an overwhelmingly negative one, with the city portrayed predominantly as a site of either conflict or disorientation

Aesthetics · Art · Art history · Ethnic group · Linguistics · Media studies · Metaphor · Multiculturalism · Political science · Politics · Social capital · Social science · Sociology · Visual arts · Anthropology · Eastern European Communism and Reforms · European history and politics · German History and Society · History · Law · Philosophy

  • Berliner Sonderschule”

    Robert Blankenship, Robert E Blankenship et al.•Seminar A Journal of Germanic…•2017

Unique citing works1
Citations per year0,11
Citation span2017 - 2017 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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