Rob Burns
Biographic Data
| ID | 3760014 |
|---|---|
| NAME | Rob Burns |
| GIVEN NAMES | Rob |
| FAMILY NAME | Burns |
| SIGNATURE | BURNS R |
| AFFILIATIONS | University of Warwick |
| ORCID | 0000-0001-5614-7624 |
| VERIFIED | Yes |
| TOTAL WORKS | 15 |
| TOTAL CITATIONS | 19 |
| AUTHOR COUNT | 15 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1975 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 2 |
Die Filme Fatih Akıns. Herausgegeben von Cornelia Ruhe und Thomas Wortmann. Paderborn: Brill | Fink, 2022. 340 Seiten + 81 Abbildungen. €49,90 broschiert
Herausgegeben von Cornelia Ruhe und Thomas Wortmann. Paderborn: Brill | Fink, 2022. 340 Seiten + 81 Abbildungen. €49,90 broschiert. In November 2022 Sight and Sound published the latest version of the poll it conducts every ten years of directors and film critics to establish the greatest
Picturing the New Berlin: Filmic Representations of the Postunification Capital
Just as Berlin as a political, social, ethnic, and material entity has undergone considerable change since 1989, so too the cinematic representations of the new capital over the last twenty years or so have projected a diverse set of images of the city. This article considers a selection of fiction films that can be grouped together under three broad thematic category headings: those dealing with Berlin's past, those addressing the city's multicu…
Towards a Cinema of Cultural Hybridity: Turkish-German Filmmakers and the Representation of Alterity
This article considers the development of “Turkish-German cinema” and situates it in relation to the attempts by filmmakers associated with the New German Cinema to represent the experience of migrants in the Federal Republic. These films were frequently criticised for reducing their protagonists to stereotypes, portraying the migrant as victim and focusing excessively on conflict of an intercultural or intracultural kind. The 1990s saw the emerg…
The Politics of Cultural Representation: Turkish–German Encounters
This article considers the development of Turkish-German cinema, situating it in relation to both the early manifestations of a diasporic literature in Germany and the attempts by filmmakers associated with the New German Cinema to represent the experience of migrants in the Federal Republic. These films were frequently criticised for reducing their protagonists to stereotypes, portraying the migrant as victim and focusing excessively on conflict…
Intellectuals as Cultural Agenda‐setters in the Federal Republic
This article argues that intellectuals in Germany post‐1945 have had, and continue to have, an important influence both on the political culture in general and on cultural policy in particular. Our thesis has been structured in three parts. The first traces the introduction of the term “intellectuals” into German, sketches out how they have variously been defined and sets out the reasons why they have been polemically abused as well as critically…
German cultural policy: An overview
The most important aspect of cultural policy in Germany is its federally devolved nature. Hence the article begins with an examination of the different levels of cultural policy, from the all-important municipal authorities to the relatively autonomous regional government and, finally, the national government, which discharges certain responsibilities in cultural matters through a number of departments, including the recently created ministry of …
Promise unfulfilled: Margarethe von Trotta's Germany film Das Versprechen
Fassbinder's Angst Essen Seele Auf: A Mellow Brechtian Drama
Angst vor deutschland: A review of recent literature on the German question
The Gorgon's Gaze: German Cinema, Expressionism and the Image of Horror
The Gorgon's Gaze: German Cinema, Expressionism and the Image of Horror Get access Rob Burns Rob Burns University of WarwickBy Paul Coates. Cambridge University Press. 1991. xiv + 287 pp. £30.00. Search for other works by this author on: Oxford Academic Google Scholar German History, Volume 10, Issue 3, July 1992, Pages 445–447, https://doi.org/10.1093/gh/10.3.445 Published: 01 July 1992
Theatre and Film in Exile: German Artists in Britain, 1933-1945
Journal Article Theatre and Film in Exile: German Artists in Britain, 1933-1945 Get access Rob Burns Rob Burns University of WarwickEdited by Gunter Berghaus. Oxford, Munich, New York: Berg and Oswald Wolff. 1989. xviii + 275 pp. £22.50. Search for other works by this author on: Oxford Academic Google Scholar German History, Volume 9, Issue 1, January 1991, Pages 111–112, https://doi.org/10.1093/gh/9.1.111 Published: 01 January 1991
Protest and Democracy in West Germany: Extra-Parliamentary Opposition and the Democratic Agenda
The Federal Republic of Germany has long been held up as a 'model society' on account of its economic and social policy achievements. Largely ignored, however, has been the crucial part played by extra-parliamentary protest in the maturing of democracy in that society. In this, the first comprehensive study of the subject in English, the authors trace the rich history of political protest in West Germany and examine the political role of critical…
Protest and Democracy in West Germany: Extra-Parliamentary Opposition and the Democratic Agenda
West German Intellectuals and Ideology
This article deals effectively with one of the key concerns of New German Critique in that it sets up an elaborate model for understanding a particular type of intellectual. Though it does not cover the more recent developments pertaining to the West German intellectual, it does lay the basis for such a discussion. This becomes evident when one reads the articles by Wolf-Dieter Narr and firgen Seifert in this issue. In our opinion, the model that…
Second chambers: German experience and Canadian needs
The problem of constitutional reform was an important Canadian political issue from 1967 to 1971. The lengthy discussions failed to produce any cohesive results due to the inability of the various governments to reconcile their particular interests. One of the areas of concern was the makeup and the powers of the Senate. As a federally appointed body it has not fulfilled in any satisfactory way its role as a representative of the regional interes…
German cultural policy: An overview
The most important aspect of cultural policy in Germany is its federally devolved nature. Hence the article begins with an examination of the different levels of cultural policy, from the all-important municipal authorities to the relatively autonomous regional government and, finally, the national government, which discharges certain responsibilities in cultural matters through a number of departments, including the recently created ministry of …
The Politics of Cultural Representation: Turkish–German Encounters
This article considers the development of Turkish-German cinema, situating it in relation to both the early manifestations of a diasporic literature in Germany and the attempts by filmmakers associated with the New German Cinema to represent the experience of migrants in the Federal Republic. These films were frequently criticised for reducing their protagonists to stereotypes, portraying the migrant as victim and focusing excessively on conflict…
Towards a Cinema of Cultural Hybridity: Turkish-German Filmmakers and the Representation of Alterity
This article considers the development of “Turkish-German cinema” and situates it in relation to the attempts by filmmakers associated with the New German Cinema to represent the experience of migrants in the Federal Republic. These films were frequently criticised for reducing their protagonists to stereotypes, portraying the migrant as victim and focusing excessively on conflict of an intercultural or intracultural kind. The 1990s saw the emerg…
Intellectuals as Cultural Agenda‐setters in the Federal Republic
This article argues that intellectuals in Germany post‐1945 have had, and continue to have, an important influence both on the political culture in general and on cultural policy in particular. Our thesis has been structured in three parts. The first traces the introduction of the term “intellectuals” into German, sketches out how they have variously been defined and sets out the reasons why they have been polemically abused as well as critically…
Second chambers: German experience and Canadian needs
The problem of constitutional reform was an important Canadian political issue from 1967 to 1971. The lengthy discussions failed to produce any cohesive results due to the inability of the various governments to reconcile their particular interests. One of the areas of concern was the makeup and the powers of the Senate. As a federally appointed body it has not fulfilled in any satisfactory way its role as a representative of the regional interes…
Second chambers: German experience and Canadian needs
The problem of constitutional reform was an important Canadian political issue from 1967 to 1971. The lengthy discussions failed to produce any cohesive results due to the inability of the various governments to reconcile their particular interests. One of the areas of concern was the makeup and the powers of the Senate. As a federally appointed body it has not fulfilled in any satisfactory way its role as a representative of the regional interes…
West German Intellectuals and Ideology
This article deals effectively with one of the key concerns of New German Critique in that it sets up an elaborate model for understanding a particular type of intellectual. Though it does not cover the more recent developments pertaining to the West German intellectual, it does lay the basis for such a discussion. This becomes evident when one reads the articles by Wolf-Dieter Narr and firgen Seifert in this issue. In our opinion, the model that…
Protest and Democracy in West Germany: Extra-Parliamentary Opposition and the Democratic Agenda
Protest and Democracy in West Germany: Extra-Parliamentary Opposition and the Democratic Agenda
The Federal Republic of Germany has long been held up as a 'model society' on account of its economic and social policy achievements. Largely ignored, however, has been the crucial part played by extra-parliamentary protest in the maturing of democracy in that society. In this, the first comprehensive study of the subject in English, the authors trace the rich history of political protest in West Germany and examine the political role of critical…
Theatre and Film in Exile: German Artists in Britain, 1933-1945
Journal Article Theatre and Film in Exile: German Artists in Britain, 1933-1945 Get access Rob Burns Rob Burns University of WarwickEdited by Gunter Berghaus. Oxford, Munich, New York: Berg and Oswald Wolff. 1989. xviii + 275 pp. £22.50. Search for other works by this author on: Oxford Academic Google Scholar German History, Volume 9, Issue 1, January 1991, Pages 111–112, https://doi.org/10.1093/gh/9.1.111 Published: 01 January 1991
The Gorgon's Gaze: German Cinema, Expressionism and the Image of Horror
The Gorgon's Gaze: German Cinema, Expressionism and the Image of Horror Get access Rob Burns Rob Burns University of WarwickBy Paul Coates. Cambridge University Press. 1991. xiv + 287 pp. £30.00. Search for other works by this author on: Oxford Academic Google Scholar German History, Volume 10, Issue 3, July 1992, Pages 445–447, https://doi.org/10.1093/gh/10.3.445 Published: 01 July 1992
Angst vor deutschland: A review of recent literature on the German question
Fassbinder's Angst Essen Seele Auf: A Mellow Brechtian Drama
Promise unfulfilled: Margarethe von Trotta's Germany film Das Versprechen
German cultural policy: An overview
The most important aspect of cultural policy in Germany is its federally devolved nature. Hence the article begins with an examination of the different levels of cultural policy, from the all-important municipal authorities to the relatively autonomous regional government and, finally, the national government, which discharges certain responsibilities in cultural matters through a number of departments, including the recently created ministry of …
Intellectuals as Cultural Agenda‐setters in the Federal Republic
This article argues that intellectuals in Germany post‐1945 have had, and continue to have, an important influence both on the political culture in general and on cultural policy in particular. Our thesis has been structured in three parts. The first traces the introduction of the term “intellectuals” into German, sketches out how they have variously been defined and sets out the reasons why they have been polemically abused as well as critically…
Towards a Cinema of Cultural Hybridity: Turkish-German Filmmakers and the Representation of Alterity
This article considers the development of “Turkish-German cinema” and situates it in relation to the attempts by filmmakers associated with the New German Cinema to represent the experience of migrants in the Federal Republic. These films were frequently criticised for reducing their protagonists to stereotypes, portraying the migrant as victim and focusing excessively on conflict of an intercultural or intracultural kind. The 1990s saw the emerg…
The Politics of Cultural Representation: Turkish–German Encounters
This article considers the development of Turkish-German cinema, situating it in relation to both the early manifestations of a diasporic literature in Germany and the attempts by filmmakers associated with the New German Cinema to represent the experience of migrants in the Federal Republic. These films were frequently criticised for reducing their protagonists to stereotypes, portraying the migrant as victim and focusing excessively on conflict…
Picturing the New Berlin: Filmic Representations of the Postunification Capital
Just as Berlin as a political, social, ethnic, and material entity has undergone considerable change since 1989, so too the cinematic representations of the new capital over the last twenty years or so have projected a diverse set of images of the city. This article considers a selection of fiction films that can be grouped together under three broad thematic category headings: those dealing with Berlin's past, those addressing the city's multicu…
Die Filme Fatih Akıns. Herausgegeben von Cornelia Ruhe und Thomas Wortmann. Paderborn: Brill | Fink, 2022. 340 Seiten + 81 Abbildungen. €49,90 broschiert
Herausgegeben von Cornelia Ruhe und Thomas Wortmann. Paderborn: Brill | Fink, 2022. 340 Seiten + 81 Abbildungen. €49,90 broschiert. In November 2022 Sight and Sound published the latest version of the poll it conducts every ten years of directors and film critics to establish the greatest
Political science (10 works) · Law (9 works) · European history and politics (8 works) · German (8 works) · Sociology (8 works) · Art (7 works) · Politics (7 works) · History (6 works) · Law (6 works) · Art history (5 works)