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Towards a Cinema of Cultural Hybridity

Turkish-German Filmmakers and the Representation of Alterity

Bibliographic Data

ID12285293
AuthorsRob Burns (0000-0001-5614-7624, corresponding author)
Year2007
Volume15
Issue1
Pages3-24
Publication date2007-04-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueDebatte Journal of Contemporary Central and Eastern Europe (JOURNAL)
Journal identifiersISSN: 0965-156X • E-ISSN: 1469-3712
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/09651560701241362
OpenAlexW2030248297
LanguageEN
Citations received4
References cited9

This article considers the development of “Turkish-German cinema” and situates it in relation to the attempts by filmmakers associated with the New German Cinema to represent the experience of migrants in the Federal Republic. These films were frequently criticised for reducing their protagonists to stereotypes, portraying the migrant as victim and focusing excessively on conflict of an intercultural or intracultural kind. The 1990s saw the emergence of a younger generation of Turkish directors in Germany intent on breaking away from this “cinema of the affected” by not foregrounding the problematicisation of alterity. The article examines the work of two of these directors, Fatih Akin and Thomas Arslan, and assesses their success in representing “life in, as well as between, two cultures”

Aesthetics · Alterity · Art · Epistemology · Foregrounding · German · Hybridity · Identity (music · Linguistics · Literature · Media studies · Movie theater · Political science · Relation (database · Representation (politics · Sociology · Turkish · Visual arts · Anthropology · Cinema and Media Studies · European history and politics · Gender Studies · German Colonialism and Identity Studies · History · Law · Philosophy

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  • Coming to Terms with the Nuclear Past

    Jaimey Fisher•The Germanic Review Literature…•2011

  • Representation of masculinities in the Arabesk films of Orhan Gencebay within the context of 1970s Turkish popular cinema (Yeşilçam)

    Open Access•Seçkin Büyücek•Turkish Studies•2024

  • Representation of European Utopia and its Discontents in the Films of Fatih Akın

    Open Access•Ceren Mert-Travlos•Journal of Humanistic Psychology•2022

  • An Accented Cinema

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  • Text into Image

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  • Gegenwartsliteratur seit 1968

    Jay J Rosellini, Klaus Briegleb et al.•The German Quarterly•1993

  • Gender and Germanness

    David Ehrenpreis, Patricia Herminghouse et al.•German Studies Review•2000

  • Turkish Cinema in the New Europe

    Angelica Fenner•Camera Obscura Feminism Culture…•2000

  • Bruce Lee in Kreuzberg and Scarface in Altona

    Barbara Mennel•New German Critique•2002

  • Auslanderliteratur

    Heidrun Suhr•New German Critique•1989

  • Bourgeois Ideology and the (Mis) Reading of Gunter Wallraff's Ganz Unten

    Anna K Kuhn•New German Critique•1989

  • "Talking "Turk

    Arlene Akiko Teraoka•New German Critique•1989

Unique citing works4
Citations per year0,27
Citation span2011 - 2024 (14)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 4

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