Bruce Lee in Kreuzberg and Scarface in Altona
Transnational Auteurism and Ghettocentrism in Thomas Arslan's "Brothers and Sisters" and Faith Akin's "Short Sharp Shock
Bibliographic Data
| ID | 5118742 |
|---|---|
| Authors | Barbara Mennel (0000-0002-6354-0616, corresponding author) |
| Year | 2002 |
| Issue | 87 |
| Pages | 133 |
| Publication date | 2002-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | New German Critique (JOURNAL) |
| Journal identifiers | ISSN: 0094-033X • E-ISSN: 1558-1462 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/3211138 |
| OpenAlex | W2312319966 |
| Language | DE |
| Citations received | 8 |
This trend is associated with young filmmakers like Fatih Akin, Thomas Arslan, Aysun Bademsoy, Seyhan Derin, Ayse Polat, and Yilksel Yavus. Some critics also include the Turkish filmmakers Kutlug Ataman and Sinan Cetin and the German Lars Becker.2 Discussions of Turkish-German c inema mainly focus on male a rtists, despite the fact that female directors, such as Ayse Polat, Aysun Bademsoy, and Seyhan Derin, have
Art · Faith · Theology · Cinema and Media Studies · Philosophy · Religious studies
Coming to Terms with the Nuclear Past
Local Funding and Global Movement
White ghettos
Towards a Cinema of Cultural Hybridity
At Home in the New Germany? Local Stories and Global Concerns in Yüksel Yavuz's Aprilkinder and Kleine Freiheit
Occupying American “Black” Bodies and Reconfiguring European Spaces—The Possibilities for Noncitizen Articulations in Berlin and Beyond
Intersections
American Cinema and the Construction of Masculinity in Film in the Federal Republic after 1945
| Unique citing works | 8 |
|---|---|
| Citations per year | 0,33 |
| Citation span | 2002 - 2013 (12) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 7 |