"I Am the Man!" Performing Gender and Other Incongruities
Bibliographic Data
| ID | 3633174 |
|---|---|
| Authors | Jay Sennett (Colgate University), Sarah Bay-Cheng (0000-0003-1789-164X, Colgate University) |
| Year | 2003 |
| Volume | 43 |
| Issue | 3-4 |
| Pages | 39-48 |
| Publication date | 2003-04-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Homosexuality (JOURNAL) |
| Journal identifiers | ISSN: 0091-8369 • E-ISSN: 1540-3602 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1300/j082v43n03_04 |
| PMID | 12769272 |
| OpenAlex | W2078579414 |
| Language | EN |
| Citations received | 2 |
| References cited | 2 |
The following essay details the genesis of the performance "I Am the Man" for the First International Drag King Extravaganza. In it the authors explain both their autobiographical performances and the relationship between their drag performances and transgender theory by linking Shakespeare to queer theory and by overlapping their personal narratives
Aesthetics · Art · Drag · Literature · Narrative · Personal narrative · Psychoanalysis · Queer · Queer theory · Sociology · Transgender · Diversity and Impact of Dance · Gender Roles and Identity Studies · Gender Studies · Psychology · Social Psychology · Sports, Gender, and Society
| Unique citing works | 2 |
|---|---|
| Citations per year | 0.09 |
| Citation span | 2003 - 2016 (14) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |