Intermedial Performance Aesthetics in Patricia Fagundes' A Midsummer Night's Dream
Bibliographic Data
| ID | 3753707 |
|---|---|
| Authors | Anna Stegh Camati (0000-0003-2460-1006, Centro Universitário Campos de Andrade, corresponding author) |
| Year | 2013 |
| Volume | 23 |
| Issue | 3 |
| Pages | 141-156 |
| Publication date | 2013-12-31 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Aletria Revista de Estudos de Literatura (JOURNAL) |
| Journal identifiers | ISSN: 1679-3749 • E-ISSN: 2317-2096 |
| Publisher | Universidade Federal de Minas Gerais - Pro-Reitoria de Pesquisa (PUBLISHER) |
| DOI | 10.17851/2317-2096.23.3.141-156 |
| OpenAlex | W1697957875 |
| Language | EN |
| References cited | 1 |
In A Midsummer Night's Dream (1594-1595), Shakespeare introduces elements borrowed from court masques, mainly music and dance. After a brief exploration of critical arguments claiming that Shakespeare's play is the model for musical versions produced during and after the Restoration, this essay investigates the negotiations and shifts of meaning in the homonymous Brazilian adaptation (2006), staged by Cia. Rústica and directed by Patrícia Fagundes. The intermedial processes, articulated in the transposition from page to stage, will be analyzed in the light of contemporary theoretical perspectives
Adaptation (eye · Aesthetics · Art · Dance · Dream · Epistemology · Linguistics · Meaning (existential · Musical · Negotiation · Sociology · Transposition (logic · Visual arts · Philosophy · Psychology · Shakespeare, Adaptation, and Literary Criticism · Theatre and Performance Studies
| Highly cited | No |
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