The Embodiment of Sound and Cohesion in Music
Bibliographic Data
| ID | 3757071 |
|---|---|
| Authors | Jennifer Winther (University of California, Los Angeles), Jennifer L Winther (University of California, Los Angeles, corresponding author) |
| Year | 2005 |
| Volume | 48 |
| Issue | 11 |
| Pages | 1410-1421 |
| Publication date | 2005-07-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | American Behavioral Scientist (JOURNAL) |
| Journal identifiers | ISSN: 0002-7642 • E-ISSN: 1552-3381 |
| Publisher | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/0002764205277362 |
| OpenAlex | W2029168461 |
| Language | EN |
| Citations received | 2 |
| References cited | 8 |
Is musical cohesion a function of structure, an interactive achievement, a combination of both, or something else? The author uses ethnographic field data to discuss the process of learning for novice musicians to identify quality of sound as it corresponds to particular bodily configurations, arguing that individual performers use a sound-bodydynamicto identify cohesionin a groupas anembodiedsound.The author concentrates on the earliest stages of practice among amateur taiko drummers, a Japanese style prominent in Japan and the United States, highlighting both individual learning and group interaction in ensemble performance
Acoustics · Amateur · Art · Cognitive psychology · Cohesion (chemistry) · Ethnography · Group cohesiveness · Musical · Sociology · Sound (geography) · Style (visual arts) · Visual arts · Anthropology · Diverse Music Education Insights · History · Music History and Culture · Neuroscience and Music Perception · Psychology · Social Psychology
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,5 |
| Citation span | 2022 - 2022 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |