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"Hearing" ahead of the sound

How musicians listen via proprioception and seen gestures in performance

Bibliographic Data

ID4364567
AuthorsSarah Maslen (0000-0002-9215-6103, University of Canberra, corresponding author)
Year2022
Volume17
Issue2
Pages185-196
Publication date2022-05-04
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe Senses and Society (JOURNAL)
Journal identifiersISSN: 1745-8927 • E-ISSN: 1745-8935
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/17458927.2022.2065157
OpenAlexW4225399919
LanguageEN
Citations received3
References cited26

This article addresses the peculiar temporal challenges that musicians face in performance and its implications for perception. In a performance, there is routinely no time out, no possibility of stopping and redoing. Players have to "hear" before notes sound, so they can organize their bodies to fit in. My analysis identifies three strategies that players adopt to take the load off their ear. Players listen via the seen gestures of others that signify what should be heard/played. They hear the music by feeling the rhythmic pulse. Lastly, they hear ahead through their proprioceptive sense of how they are organizing their bodies to make a sound. These observations show how players' sense of their sound, crucial to the achievement of social order in performance, is achieved through largely hidden phases that organize hearing in relation to what we typically conceptualize as other sensory modalities

Acoustics · Aesthetics · Art · Cognitive psychology · Feeling · Gesture · Modalities · Perception · Proprioception · Rhythm · Sensory system · Sociology · Sound (geography · Stimulus modality · Communication · Computer Science · Music Technology and Sound Studies · Musicology and Musical Analysis · Neuroscience and Music Perception · Psychology · Social Psychology

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Unique citing works3
Citations per year1
Citation span2023 - 2025 (3)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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