Um Laborat Rio De Artisticidades Rendeiras Na Para Ba
Atravessamentos Micropol Ticos Entre Arte E Moda / a Laboratory of Lace Artisticities in Para Ba: Micropolitical Crossings Between Art and Fashion
Bibliographic Data
| ID | 3790672 |
|---|---|
| Authors | Roxanne Dunbar Ortiz (0000-0002-6543-3021, corresponding author) |
| Year | 2022 |
| Volume | 27 |
| Issue | 42 |
| Pages | 151-171 |
| Publication date | 2022-01-03 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | arte e ensaios (JOURNAL) |
| Journal identifiers | ISSN: 2448-3338 • E-ISSN: 2448-3338 |
| Publisher | Centro de Letras e Artes - Universidade Federal do Rio de Janeiro (PUBLISHER) |
| DOI | 10.37235/ae.n42.13 |
| OpenAlex | W4205426346 |
| Language | PT |
| Citations received | 1 |
| References cited | 2 |
As rela es entre arte e moda j foram explicitadas por pesquisadores, estilistas e artistas. Em geral, o foco se p e na forma como a moda se apropria de elementos art sticos, indo al m das exig ncias do mercado. Este ensaio prop e outra perspectiva, mais voltada para o que Erin Manning (2016) identifica como artisticidade e gestos menores, que seriam, aquela, um modo singular de ativar processos que radicalizam procedimentos a partir de uma filosofia da diferen a e, estes, ativadores de campos de percep o. Assim, o que a moda faz n o simplesmente se apropriar de procedimentos da arte, mas atravess -la, instaurando possibilidades de cria o/reflex o. Al m das discuss es te ricas de atua o cr tica de Gl ria Ferreira (2009), apresentamos uma experi ncia conduzida na Para ba, para demonstrar a pot ncia da artisticidade da moda em ativar movimentos micropol ticos.Palavras-chave:Moda; Renda; Artisticidade; Artes s da Para ba; Micropol tica. AbstractThe relations between art and fashion have already been explained by researchers, stylists and artists. In general, the focus is on how fashion appropriates artistic elements, going beyond the demands of the market. This essay proposes another perspective, more focused on what Erin Manning (2016) identifies as artisticity and minor gestures, which would be, respectively, a unique way of activating processes that radicalize procedures based on a philosophy of difference; and activators of fields of perception. Thus, what fashion does is not simply to appropriate art procedures, but to traverse it, to establish possibilities for creation/reflection. In addition to the theoretical discussions of critical performance of Gl ria Ferreira (2009), we present an experience conducted in Para ba, to demonstrate the power of fashion?s artistry in activating micropolitical movements.Keywords:Fashion; Lace; Artistry; Artisans from Para ba; Micropolitics
Art · Gesture · Humanities · Arts and Performance Studies · Fashion and Cultural Textiles · Philosophy · Urban and sociocultural dynamics
| Citations per year | 0.25 |
|---|---|
| Citation span | 2022 - 2022 (1) |
| Highly cited | No |