The Concept of the cAsheq in Northern Khorasan
Bibliographic Data
| ID | 3793418 |
|---|---|
| Authors | Stephen Blum (corresponding author) |
| Year | 1972 |
| Volume | 4 |
| Issue | 1 |
| Pages | 27 |
| Publication date | 1972-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Asian Music (JOURNAL) |
| Journal identifiers | ISSN: 0044-9202 • E-ISSN: 1553-5630 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/834139 |
| OpenAlex | W2322375810 |
| Language | EN |
| Citations received | 4 |
Throughout the towns and villages of the province of Khorasan in northeastern Iran several distinct types of professional performers provide music designed for particular social situations.1 The most important categories of specialists in musical performance include: (1) the naqqdl and the darvish, who recite various forms of poetry (primarily of a religious import) to the patrons of teahouses or to groups of religious devotees assembled in private homes; (2) the bakhshi, a singer of tales who performs best for small, intimate gatherings of interested persons; (3) the motreb and the luti, who sing and play popular songs and dance pieces at weddings, on the streets and in public parks
Ancient history · Geography · History · Islamic Studies and History · Turkish Literature and Culture
| Unique citing works | 4 |
|---|---|
| Citations per year | 0,08 |
| Citation span | 1974 - 2005 (32) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 4 |