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Transcultural Cinema debated in a Knowledge Network

Postcolonial Hybrid Meanings Within Resistance Cinema

Bibliographic Data

ID3855100
AuthorsPedro José De Oliveira Andrade (0009-0002-6847-3026, University of Minho, corresponding author), Pedro Andrade (0000-0003-4550-0562)
Year2016
Volume29
Pages395-411
Publication date2016-06-27
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueComunicação e Sociedade (JOURNAL)
Journal identifiersISSN: 1645-2089 • E-ISSN: 2183-3575
PublisherUniversity of Minho (PUBLISHER • PT)
DOI10.17231/comsoc.29(2016).2427
OpenAlexW2468749622
LanguageEN
Citations received2
References cited12

This paper aims to present a Knowledge Network on Transcultural Communication, a work in progress organized in Archives, Knowledge Bases and Virtual Museums. One of its substantive parts, the Knowledge Node Transcultural Cinema, gathers knowledge and sources (Film Studies texts, photos, videos, etc.) about critical cinema and resistance cinema. This node articulates theories and postcolonial concepts to analysis/interpretations based on examples of film images and videos that include postcolonial representations. The "clash of civilizations" is a core idea underlying the debate on dissent and / or consensus among cultures and about postcolonialism. The dissimilarity between colonial / postcolonial societies and cultures, often takes the form of a "conflict of meanings." And the discursive resistance against colonialism is often based on mobilizing hybridizations. Contemporary cultures are essentially "hybrid cultures". Such hybrid nature is present in many images and sounds of resistance cinema, and it is urgent to emphasize its characteristics, for example central dichotomies transmitted by authors of this cinema genre: "colonizer / colonized," "identity / difference," "power / no power". Resistance film audiences can see and criticize, in a participatory way, the worldviews and discourses shared by cinema imagination / activism in cinema, contributing to a common, global and critical culture / knowledge

Aesthetics · Art · Colonialism · Dissent · Hybridity · Identity (music · Literature · Media studies · Movie theater · Political science · Politics · Postcolonialism (international relations · Power (physics · Resistance (ecology · Social science · Sociology · Anthropology · Asian Culture and Media Studies · Law

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    Open Access•Pedro Andrade•Revista Lusófona de Estudos…•2020

  • Transcultural Cinema debated in a Knowledge Network

    Open Access•Pedro José De Oliveira Andrade, Pedro Andrade•Comunicação e Sociedade•2016

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  • Saving Cinema

    Samara Eduarda Martins Becker, S Becker•Screen•2012

  • Transcultural Cinema debated in a Knowledge Network

    Open Access•Pedro José De Oliveira Andrade, Pedro Andrade•Comunicação e Sociedade•2016

  • Postcolonial Perspectives on the Cultures of Latin America and Lusophone Africa

    Niyi Afolabi, Omoniyi Afolabi et al.•African Studies Review•2002

  • Pierre Bourdieu as a Post-cultural Theorist

    Open Access•Omar Lizardo•Cultural Sociology•2011

Unique citing works2
Citations per year0,2
Citation span2016 - 2020 (5)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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