Transcultural Cinema debated in a Knowledge Network
Postcolonial Hybrid Meanings Within Resistance Cinema
Bibliographic Data
| ID | 3855100 |
|---|---|
| Authors | Pedro José De Oliveira Andrade (0009-0002-6847-3026, University of Minho, corresponding author), Pedro Andrade (0000-0003-4550-0562) |
| Year | 2016 |
| Volume | 29 |
| Pages | 395-411 |
| Publication date | 2016-06-27 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Comunicação e Sociedade (JOURNAL) |
| Journal identifiers | ISSN: 1645-2089 • E-ISSN: 2183-3575 |
| Publisher | University of Minho (PUBLISHER • PT) |
| DOI | 10.17231/comsoc.29(2016).2427 |
| OpenAlex | W2468749622 |
| Language | EN |
| Citations received | 2 |
| References cited | 12 |
This paper aims to present a Knowledge Network on Transcultural Communication, a work in progress organized in Archives, Knowledge Bases and Virtual Museums. One of its substantive parts, the Knowledge Node Transcultural Cinema, gathers knowledge and sources (Film Studies texts, photos, videos, etc.) about critical cinema and resistance cinema. This node articulates theories and postcolonial concepts to analysis/interpretations based on examples of film images and videos that include postcolonial representations. The "clash of civilizations" is a core idea underlying the debate on dissent and / or consensus among cultures and about postcolonialism. The dissimilarity between colonial / postcolonial societies and cultures, often takes the form of a "conflict of meanings." And the discursive resistance against colonialism is often based on mobilizing hybridizations. Contemporary cultures are essentially "hybrid cultures". Such hybrid nature is present in many images and sounds of resistance cinema, and it is urgent to emphasize its characteristics, for example central dichotomies transmitted by authors of this cinema genre: "colonizer / colonized," "identity / difference," "power / no power". Resistance film audiences can see and criticize, in a participatory way, the worldviews and discourses shared by cinema imagination / activism in cinema, contributing to a common, global and critical culture / knowledge
Aesthetics · Art · Colonialism · Dissent · Hybridity · Identity (music · Literature · Media studies · Movie theater · Political science · Politics · Postcolonialism (international relations · Power (physics · Resistance (ecology · Social science · Sociology · Anthropology · Asian Culture and Media Studies · Law
Migration in Lusophone Cinema
From Culturalism to Transculturalism
Transculturality
A History of Postcolonial Lusophone Africa
Archive Fever
Islam in Portuguese-Speaking Areas
The Clash of Civilizations and the Remaking of the World Order
Saving Cinema
Transcultural Cinema debated in a Knowledge Network
Postcolonial Perspectives on the Cultures of Latin America and Lusophone Africa
Pierre Bourdieu as a Post-cultural Theorist
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,2 |
| Citation span | 2016 - 2020 (5) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |