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The Brazilian woman

From the colonial photography to contemporary Portuguese photography

Bibliographic Data

ID3855403
AuthorsLorena Travassos, Lorena Christina Barros Travassos (0000-0001-6582-3233, Universidade Nova de Lisboa, corresponding author)
Year2017
Volume32
Pages169-189
Publication date2017-12-29
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueComunicação e Sociedade (JOURNAL)
Journal identifiersISSN: 1645-2089 • E-ISSN: 2183-3575
PublisherUniversity of Minho (PUBLISHER • PT)
DOI10.17231/comsoc.32(2017).2756
OpenAlexW2775979608
LanguageEN
Citations received1
References cited4

This study aims to carry out an initial analysis of how the Brazilian woman image is shaped by a discourse that is historically constructed and reinforced by colonial photography. This visuality has endured through the ages and represents a form of contemporary colonialism, as it is characterized by an identity reductionism disguised as a global ideology. The possibility of paradox prevalence in these speeches is analyzed through a critical view of the work of André Cepeda and Miguel Valle de Figueiredo, Portuguese photographers who has produced photography artwork about the Brazilian woman. In these images, the construction of a visual concept of Brazilian women revealed underlying statements supported by their perceptions and experiences, as well as in generalized beliefs. Thus, it was concluded that the understanding of the image of Brazilian women as portrayed by those photographers shows itself covered of brand new colonizing processes in which the Brazilian woman's image is linked with a sense of an available and sensual body, imbued with the concept of a colonial body that still persists in contemporary imagery

Aesthetics · Archaeology · Art · Colonialism · Identity (music · Ideology · Photography · Political science · Politics · Portuguese · Sociology · Visual arts · Gender Studies · History · Law · Philosophy · Urban and sociocultural dynamics

  • The Brazilian woman

    Open Access•Lorena Travassos, Lorena Christina Barros Travassos•Comunicação e Sociedade•2017

  • Visual Pleasure and Narrative Cinema

    Open Access•Laura Mulvey•Feminisms•1975

  • Unmarked

    Peggy Phelan•Unmarked•1993

  • The Brazilian woman

    Open Access•Lorena Travassos, Lorena Christina Barros Travassos•Comunicação e Sociedade•2017

Unique citing works1
Citations per year0,11
Citation span2017 - 2017 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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Open DOIOpen Access
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