Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Between memory and erasure

Zézé Gamboa's O Grande Kilapy and the legacy of portuguese colonialism

Bibliographic Data

ID3855431
AuthorsKaty Stewart (University of Sheffield, corresponding author)
Year2016
Volume29
Pages255-269
Publication date2016-06-27
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueComunicação e Sociedade (JOURNAL)
Journal identifiersISSN: 1645-2089 • E-ISSN: 2183-3575
PublisherUniversity of Minho (PUBLISHER • PT)
DOI10.17231/comsoc.29(2016).2419
OpenAlexW2467449146
LanguageEN
References cited11

While the 40th anniversary of the "fall of the Portuguese Empire" has provoked fresh critical approaches to the colonial legacy within Portugal, much less attention has been paid to how memories of colonialism are being reconfigured within contemporary lusophone African cultural production. The films of Angolan director Zézé Gamboa have thus far received very little academic attention, particularly his most recent feature, O Grande Kilapy (2012) (The Great Kilapy), which is the focus of this article. Yet the film demonstrates the urgency of redeeming memory in a postcolonial society, and how the power to silence such memories is embedded in the geopolitical structures of the lusophone world. This article will demonstrate how Gamboa decolonises the imagination by reclaiming memories and reframing history, but also how this very redemption and transmission of memories is limited by production and distribution constraints imposed upon the film itself, defined by configurations of power within the postcolonial lusophone space. Therefore, while recognising the importance of the archive for memory, as Pierre Nora proposes, this article will posit that alternative strategies, present within O Grande Kilapy, such as the oral transmission of stories, are essential for working around such constraints

Aesthetics · Ancient history · Archaeology · Art · Cognitive reframing · Colonialism · Empire · Geopolitics · Linguistics · Political science · Politics · Portuguese · Power (physics · Silence · Sociology · African history and culture studies · Anthropological Studies and Insights · Anthropology · Caribbean and African Literature and Culture · History · Law · Philosophy · Psychology

  • Film language

    Christian Metz, Michael Taylor•Film language•1974

  • The acoustic mirror

    Kaja Silverman•The acoustic mirror•1988

  • Theses on the Philosophy of History

    Walter Benjamin•Critical Theory and Society•2020

  • Flashbacks in Film

    Maureen Turim, Margaret Turim•Journal of Aesthetics and Art…•1991

  • Le sens du temps

    Marie-Claire Célérier•Champ psychosomatique•2003

  • African Cinemas

    Carmela Garritano, Olivier Barlet et al.•African Studies Review•2003

  • Angola's Façade Democracy

    Open Access•Paula Cristina Roque•Journal of democracy•2009

  • Year Zero

    J Schubert•Journal of Southern African Studies•2015

  • Between Memory and History

    Pierre Nora•Representations•1989

Citation velocityhistorical
Highly citedNo

Tools

Open DOIOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae