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Autonomy, mimesis and mechanical reproduction in contemporary music

Bibliographic Data

ID3858739
AuthorsW Luke Windsor (0000-0001-6291-3057, corresponding author), W Windsor
Year1996
Volume15
Issue1
Pages139-150
Publication date1996-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueContemporary Music Review (JOURNAL)
Journal identifiersISSN: 0749-4467 • E-ISSN: 1477-2256
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/07494469600640411
OpenAlexW4252173086
LanguageEN
Citations received2
References cited9

Aesthetics · Art · Autonomy · Biology · Contemporary classical music · Musical · Political science · Reproduction · Sociology · Visual arts · Diverse Musicological Studies · Music Technology and Sound Studies · Musicology and Musical Analysis

  • What Do We Hear, When We Hear Music

    Open Access•Nicola Dibben•Musicae Scientiae•2001

  • The analysis of electroacoustic music

    Lelio Camilleri, Denis Smalley•Journal of New Music Research•1998

  • Spectro-morphology and Structuring Processes

    Denis Smalley•Language Electroacoustic Music•1986

  • Music and Technique

    T W Adorno•Telos•1977

  • The Curves of the Needle

    Theodor W Adorno, Thomas Y Levin•October•1990

  • Opera and the Long-Playing Record

    Theodor W Adorno, Thomas Y Levin•October•1990

  • The Form of the Phonograph Record

    Theodor W Adorno, Thomas Y Levin•October•1990

  • Transparencies on Film

    Theodor W Adorno, Thomas Y Levin•New German Critique•1981

  • Using auditory information for events in electroacoustic music

    W Luke Windsor•Contemporary Music Review•1994

  • Telling tales

    Katharine Norman•Contemporary Music Review•1994

Unique citing works2
Citations per year0,07
Citation span1998 - 2001 (4)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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