Transparencies on Film
Bibliographic Data
| ID | 4070601 |
|---|---|
| Authors | Theodor W Adorno, Thomas Y Levin |
| Year | 1981 |
| Issue | 24/25 |
| Pages | 199 |
| Publication date | 1981-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | New German Critique (JOURNAL) |
| Journal identifiers | ISSN: 0094-033X • E-ISSN: 1558-1462 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/488050 |
| OpenAlex | W4245972996 |
| Language | EN |
| Citations received | 14 |
The Cambridge Companion to World Literature
Ecologies of Orality
Celluloid Critique
Para-animation in Practice and Theory
Kracauer and Tarkovsky’s Cinema of Redemptive Estrangement
Disney’s Two Versions of Mulan (1998, 2020) and Twitter
Hormone Mimics and their Promise of Significant Otherness
Notes on the Wire
Walter Benjamin’s Dionysian Adventures on Google Earth
Thoughts on Film
Autonomy, Mimesis and Mechanical Reproduction in Contemporary Music
Márkus and the retrieval of the sociological Adorno
Adorno's Magic Lantern
Autonomy, mimesis and mechanical reproduction in contemporary music
| Unique citing works | 14 |
|---|---|
| Citations per year | 0,47 |
| Citation span | 1996 - 2025 (30) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 14 |