Lauren Fournier, Autotheory as Feminist Practice in Art, Writing and Criticism
Bibliographic Data
| ID | 3869585 |
|---|---|
| Authors | Frida Sandström (0000-0002-3289-3638, corresponding author) |
| Year | 2021 |
| Publication date | 2021-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critique d’art (JOURNAL) |
| Journal identifiers | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/critiquedart.77705 |
| OpenAlex | W3178186622 |
| Language | EN |
While practice-based master’s degrees are transformed into preparatory research proposals, right wing governments across Europe find enemies in artistic projects investigating a local or transnational colonial legacy, or fluid gender identities. In this context, concepts that define not only artwork but also practice are essential for directing the debate away from parliamentary binaries and toward the actual activities undertaken by artists. In this context, autotheory is an important concep
Aesthetics · Archaeology · Art · Colonialism · Criticism · Political science · Sociology · Visual arts · Artistic and Creative Research · Gender Studies · History · Law
| Highly cited | No |
|---|