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Frida Sandström

Biographic Data

ID1383156
NAMEFrida Sandström
GIVEN NAMESFrida
FAMILY NAMESandström
SIGNATURESANDSTRÖM F
AFFILIATIONSUniversity of Copenhagen
ORCID0000-0002-3289-3638
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS0
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2019
LATEST PUBLICATION YEAR2025
H-INDEX0
  • Jill Johnston au pluriel

    Open Access•Frida Sandström, Laurent Vannini•ARTICLE•Critique d’art•2025

    Tout le monde connaît plus ou moins Jill Johnston, journaliste, critique d’art, artiste et autrice féministe (née Jill Crowe, 17 mai 1929-18 septembre 2010). Mais de quelle Jill, ou « JJ », parlons-nous ? De la critique, la danseuse ou la féministe lesbienne ? Dans la récente monographie de Clare Croft, théoricienne de la danse et de la performance, intitulée Jill Johnston in Motion: Dance, Writing, and Lesbian Life, ainsi que dans le recueil des…

  • The Several Jill Johnston

    Open Access•Frida Sandström•ARTICLE•Critique d’art•2025

    Everyone is more or less familiar with the American journalist, art critic, performer, and feminist writer Jill Johnston (born Jill Crowe, May 17, 1929–September 18, 2010). The question is which Jill, or “JJ” we are talking about. Is it Johnston the critic, Johnston the dancer or Johnston the lesbian feminist? In dance and performance scholar, Clare Croft’s recent monograph Jill Johnston in Motion: Dance, Writing, and Lesbian Life and the accompa…

  • Carla Lonzi och krisens kritik 1969-1970

    Open Access•Frida Sandström•ARTICLE•K&K - Kultur og Klasse•2024

    Departing from the Italian critic, art historian, and feminist Carla Lonzi’s essay ”La critica è potere” (Critique is power) from 1970, this article discusses a crisis immanent to the concepts of art and history that dominated the late 1960s Italy. In line with Lonzi’s argumentation, this crisis resulted in what the communist Massimo Cacciari described as ”negative thinking” in 1969, and what Lonzi in her essay describes as a ”critique of the cri…

  • Douglas Crimp, Disss-co (A Fragment)

    Frida Sandström•ARTICLE•Critique d’art•2021

    Besides his seminal writing on minimalist and conceptual art in the 1960s and onwards until his death in 2019, Douglas Crimp was an important voice for AIDS victims

  • Lauren Fournier, Autotheory as Feminist Practice in Art, Writing and Criticism

    Frida Sandström•ARTICLE•Critique d’art•2021

    While practice-based master’s degrees are transformed into preparatory research proposals, right wing governments across Europe find enemies in artistic projects investigating a local or transnational colonial legacy, or fluid gender identities. In this context, concepts that define not only artwork but also practice are essential for directing the debate away from parliamentary binaries and toward the actual activities undertaken by artists. In …

  • Jill Johnston

    Frida Sandström•ARTICLE•Critique d’art•2020

    “Movement is the person. The material and the person are one,” wrote cultural critic, writer, lesbian activist and feminist icon Jill Johnston in a column entitled “Democracy”, published in the American weekly news and cultural paper The Village Voice in 1962. Interweaving the material circumstances behind the emerging scene of “dematerialized art” under a “post-medium condition” – such as the free labor of a participating audience, artists’ prec…

  • Performing Image, Isobel Harbison (2019)

    Open Access•Frida Sandström•ARTICLE•Philosophy of Photography•2019

    Review of: Performing Image , Isobel Harbison (2019) Cambridge, MA: MIT Press, 256 pp., ISBN 978-0-26203-921-5, h/bk, £32.00

No prominent works on this page.

  • Performing Image, Isobel Harbison (2019)

    Open Access•Frida Sandström•ARTICLE•Philosophy of Photography•2019

    Review of: Performing Image , Isobel Harbison (2019) Cambridge, MA: MIT Press, 256 pp., ISBN 978-0-26203-921-5, h/bk, £32.00

  • Jill Johnston

    Frida Sandström•ARTICLE•Critique d’art•2020

    “Movement is the person. The material and the person are one,” wrote cultural critic, writer, lesbian activist and feminist icon Jill Johnston in a column entitled “Democracy”, published in the American weekly news and cultural paper The Village Voice in 1962. Interweaving the material circumstances behind the emerging scene of “dematerialized art” under a “post-medium condition” – such as the free labor of a participating audience, artists’ prec…

  • Douglas Crimp, Disss-co (A Fragment)

    Frida Sandström•ARTICLE•Critique d’art•2021

    Besides his seminal writing on minimalist and conceptual art in the 1960s and onwards until his death in 2019, Douglas Crimp was an important voice for AIDS victims

  • Lauren Fournier, Autotheory as Feminist Practice in Art, Writing and Criticism

    Frida Sandström•ARTICLE•Critique d’art•2021

    While practice-based master’s degrees are transformed into preparatory research proposals, right wing governments across Europe find enemies in artistic projects investigating a local or transnational colonial legacy, or fluid gender identities. In this context, concepts that define not only artwork but also practice are essential for directing the debate away from parliamentary binaries and toward the actual activities undertaken by artists. In …

  • Carla Lonzi och krisens kritik 1969-1970

    Open Access•Frida Sandström•ARTICLE•K&K - Kultur og Klasse•2024

    Departing from the Italian critic, art historian, and feminist Carla Lonzi’s essay ”La critica è potere” (Critique is power) from 1970, this article discusses a crisis immanent to the concepts of art and history that dominated the late 1960s Italy. In line with Lonzi’s argumentation, this crisis resulted in what the communist Massimo Cacciari described as ”negative thinking” in 1969, and what Lonzi in her essay describes as a ”critique of the cri…

  • Jill Johnston au pluriel

    Open Access•Frida Sandström, Laurent Vannini•ARTICLE•Critique d’art•2025

    Tout le monde connaît plus ou moins Jill Johnston, journaliste, critique d’art, artiste et autrice féministe (née Jill Crowe, 17 mai 1929-18 septembre 2010). Mais de quelle Jill, ou « JJ », parlons-nous ? De la critique, la danseuse ou la féministe lesbienne ? Dans la récente monographie de Clare Croft, théoricienne de la danse et de la performance, intitulée Jill Johnston in Motion: Dance, Writing, and Lesbian Life, ainsi que dans le recueil des…

  • The Several Jill Johnston

    Open Access•Frida Sandström•ARTICLE•Critique d’art•2025

    Everyone is more or less familiar with the American journalist, art critic, performer, and feminist writer Jill Johnston (born Jill Crowe, May 17, 1929–September 18, 2010). The question is which Jill, or “JJ” we are talking about. Is it Johnston the critic, Johnston the dancer or Johnston the lesbian feminist? In dance and performance scholar, Clare Croft’s recent monograph Jill Johnston in Motion: Dance, Writing, and Lesbian Life and the accompa…

Art (5 works) · Aesthetics (3 works) · Art, Politics, and Modernism (2 works) · Gender Studies (2 works) · Law (2 works) · Philosophy (2 works) · Political science (2 works) · Sociology (2 works) · Theatre and Performance Studies (2 works) · Anatomy (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae