Jill Johnston
The Disintegration of a Critic
Bibliographic Data
| ID | 3872727 |
|---|---|
| Authors | Frida Sandström (0000-0002-3289-3638, corresponding author) |
| Year | 2020 |
| Publication date | 2020-06-02 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critique d’art (JOURNAL) |
| Journal identifiers | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/critiquedart.61878 |
| OpenAlex | W3106678345 |
| Language | EN |
“Movement is the person. The material and the person are one,” wrote cultural critic, writer, lesbian activist and feminist icon Jill Johnston in a column entitled “Democracy”, published in the American weekly news and cultural paper The Village Voice in 1962. Interweaving the material circumstances behind the emerging scene of “dematerialized art” under a “post-medium condition” – such as the free labor of a participating audience, artists’ precarious wages, or the lack of spaces for movemen
Art · Art, Politics, and Modernism · Cultural Industries and Urban Development · Theatre and Performance Studies
| Highly cited | No |
|---|