For a History by Work
Bibliographic Data
| ID | 3869664 |
|---|---|
| Authors | Bruno Nassim Aboudrar (corresponding author) |
| Year | 2009 |
| Volume | 33 |
| Issue | 33 |
| Publication date | 2009-04-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critique d’art (JOURNAL) |
| Journal identifiers | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/critiquedart.555 |
| OpenAlex | W2019886747 |
| Language | EN |
The books by Richard Thomson and Christophe Charle, and the multi-authored volume Le Miel et le fiel issue from clearly defined and separate disciplinary fields: art history, contemporary (cultural) history, and theatre studies. None of the three, to all appearances, attempts to go beyond the boundaries of its academic domain. Focusing on a brief period–the last decade of the 19th century–and a small geographical area–France–La République troublée looks at the reactive response of painting, a
Aesthetics · Art · Art history · Discipline · Painting · Social science · Sociology · Visual arts · French Historical and Cultural Studies · Historical and Literary Analyses · History
| Highly cited | No |
|---|