An Exhibit through the Lens of Sociability
Spectator Participation, Urban Intervention and Other Ghosts
Bibliographic Data
| ID | 3870460 |
|---|---|
| Authors | Elitza Dulguerova (0000-0003-2317-206X, Institut ACTE - Arts Créations Théories Esthétiques, corresponding author) |
| Year | 2016 |
| Volume | 47 |
| Issue | 47 |
| Publication date | 2016-11-30 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critique d’art (JOURNAL) |
| Journal identifiers | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/critiquedart.23290 |
| OpenAlex | W2559009707 |
| Language | EN |
| References cited | 1 |
The Exhibition Histories collection, in which this book is the seventh volume, does not aim to propose a history based on proper names, successive movements, or emblematic works. Rather, it invites us to think in terms of relationships, to consider the discordant and often contingent forces that give form to an exhibition (curators, artists, different kinds of public, institutions, and critical reception at the time, and today); to study closely the spatial, mass-media and critical conditions
Aesthetics · Art · Exhibition · Mass media · Media studies · Optics · Political science · Sociology · Through-the-lens metering · Visual arts · Art, Politics, and Modernism · Law · Museums and Cultural Heritage · Photography and Visual Culture · Psychology
| Highly cited | No |
|---|