Performing, Participating
The Challenge of Activation
Bibliographic Data
| ID | 3872133 |
|---|---|
| Authors | David Zerbib (21st Century Systems (United States), corresponding author) |
| Year | 2019 |
| Volume | 52 |
| Issue | 52 |
| Pages | 71-87 |
| Publication date | 2019-05-27 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critique d’art (JOURNAL) |
| Journal identifiers | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/critiquedart.46203 |
| OpenAlex | W2947379571 |
| Language | EN |
Since the early 2000s, the relation between artistic and cultural institutions and the activities associated with performance has been greatly reconfigured. Departments in contemporary art museums, collections, specialized curators, and an ever-growing place in biennials and fairs are all now involved in this practice. Not only has performance as a genre and medium been given unprecedented institutional recognition, but it is also the art world itself that has been placed in “performance mode
Aesthetics · Art · Art history · Contemporary art · Performance art · Visual arts · Computer Science · Cultural Industries and Urban Development · History · Theatre and Performance Studies
| Highly cited | No |
|---|