The Meaning of Revolt. Race and Visual Culture in Punk Studies
Bibliographic Data
| ID | 3872532 |
|---|---|
| Authors | Marine Schütz (corresponding author) |
| Translators | Phœbe Hadjimarkos Clarke |
| Year | 2023 |
| Volume | 61 |
| Pages | 56-68 |
| Publication date | 2023-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Critique d’art (JOURNAL) |
| Journal identifiers | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/critiquedart.109513 |
| OpenAlex | W4389483189 |
| Language | EN |
In 101, a documentary about Depeche Mode, young white fans at the Pasadena Rose Bowl call Latino/a/x fans “poseurs”. This incident is mentioned in Richard T. Rodríguez’s book A Kiss Across the Ocean, demonstrating how Latino/a/x fans were symbolically barred from belonging to the recognised audience of British pop music, built exclusively on its relationship to whiteness. This shows that punk/postpunk’s global dimension stretched way further than what one might assume by focusing only on tran
Aesthetics · Art · Art history · Epistemology · Punk · Sociology · Art, Politics, and Modernism · Gender Studies · Literature, Film, and Journalism Analysis · Music History and Culture · Philosophy
| Highly cited | No |
|---|