Figures and Numbers of the Modern Œuvre

If modernity were not up to the task, the spirit of contract, protocol and negotiation which permeates contemporary artwork would render indispensable the reflection and historical reference that are suggested in the two titles whose subjects are here juxtaposed. Collectively, the authors of Reproductibilité et irreproductibilité de l’œuvre d’art have explored the issue of reproducibility regarded, needless to say, based on a theoretical legacy deeply marked by Benjamin, but also considered a

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