Discombobulated
Dispatches from the Wrong Side (Simon A. Morrison)
Bibliographic Data
| ID | 3878896 |
|---|---|
| Authors | Bina Bhardwa (corresponding author) |
| Year | 2012 |
| Volume | 4 |
| Issue | 1 |
| Pages | 112-115 |
| Publication date | 2012-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Dancecult (JOURNAL) |
| Journal identifiers | ISSN: 1947-5403 • E-ISSN: 1947-5403 |
| Publisher | Maynooth University (PUBLISHER) |
| DOI | 10.12801/1947-5403.2012.04.01.07 |
| OpenAlex | W1901763428 |
| Language | EN |
| Citations received | 4 |
| References cited | 3 |
Despite the advent of digital recording devices of every size and shape (read: camera phones), there have been not nearly enough attempts to adequately document in brilliant photography and text the electronic festival underground along the West Coast of North America. Though Burning Man is quite possibly one of the world's largest if not most significant gatherings of freak culture and various media abound that render spectacular its participants, there are few attempts to portray such electronicultures in a thoughtful and insightful form. The same can be said for documentation of similar festivals up and down the left coast, from Shambhala in BC to Faerie Worlds in Oregon and Harmony Festival in Northern California. With Tribal Revival, something of this archival mission has succeeded, with 200 pages of colour photography documenting several years of festival culture and expression from the West Coast, circa 2002 through 2009
Art · Art history · Literature · Media studies · Mysticism · Mythology · Photography · Sociology · Visual arts · West coast · Cultural Studies and Postmodernism · History · Music History and Culture · Photography and Visual Culture
| Citations per year | 0.29 |
|---|---|
| Citation span | 2012 - 2012 (1) |
| Highly cited | No |