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Red Detachment of Women

Revolutionary Melodrama and Alternative Socialist Imaginations

Bibliographic Data

ID3893443
AuthorsXiao Liu (0000-0001-6365-1191), Liu Xiao (0000-0003-0252-1566, corresponding author)
Year2015
Volume26
Issue3
Pages116-141
Publication date2015-11-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
Venuedifferences (JOURNAL)
Journal identifiersISSN: 1040-7391 • E-ISSN: 1527-1986
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/10407391-3340396
OpenAlexW2263588666
LanguageEN
Citations received2
References cited33

This essay focuses on the cinematic form of revolutionary melodrama, or, more specifically, on alterations made to family melodrama in the construction of the big socialist family as an imagined social space. Reading Red Detachment of Women (1961) in the tradition of family melodrama, the author examines the ways the film transforms the genre and conjures up an alternative socialist space, which also provides room for more fluid gender formations that radically redefine such notions as women and femininity. This essay also uncovers in the film an affective space contiguous with both the private and the public, suggesting a sort of collectivity that neither presumes autonomous individuals nor is subsumed to a unitary state power

Aesthetics · Art · Femininity · Literature · Political science · Sociology · Unitary state · Cinema and Media Studies · Gender Studies · Italian Fascism and Post-war Society · Law · Philosophy · Shakespeare, Adaptation, and Literary Criticism

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Unique citing works2
Citations per year0,5
Citation span2022 - 2022 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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