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Theatrical Iconography/ Iconology

The Iconic Sign and Its Referent

Bibliographic Data

ID3896200
AuthorsTadeusz Kowzan (Université de Caen Normandie, corresponding author)
Year1985
Volume33
Issue130
Pages53-70
Publication date1985-04-01
Open AccessYes
TypeARTICLE
VenueDiogenes (JOURNAL)
Journal identifiersISSN: 0392-1921 • E-ISSN: 1467-7695
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1177/039219218503313004
OpenAlexW2122480298
LanguageEN
Citations received1

It has become banal to say that the object of the art of theatre, its artifact, is particularly fragile, that a theatrical performance- necessarily limited in time and not reproducible-is an ephemeral phenomenon. And yet it is a fact that the evanescence of the theatre arts explains better than any other circumstance the universality and the importance of iconography in this area. What could be more natural than the forever manifested desire to prolong the length of the theatrical phenomenon, to immortalize it in a certain sense

Art · Dermatopathology · Iconography · Iconology · Linguistics · Referent · Semiotics · Visual arts · Historical Art and Culture Studies · Medicine · Philosophy · Renaissance and Early Modern Studies · Visual Culture and Art Theory · Dermatology

  • Floute me, Ile floute thee; it is my profession

    Anikó Oroszlán•2014

Citations per year0.08
Citation span2014 - 2014 (1)
Highly citedNo

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