Floute me, Ile floute thee; it is my profession
Early Modern Improvisation as Resistance
Bibliographic Data
| ID | 5779231 |
|---|---|
| Authors | Anikó Oroszlán (University of Szeged, corresponding author) |
| Year | 2014 |
| Publication date | 2014-04-07 |
| Open Access | No |
| Type | THESIS |
| Publisher | University of Szeged (PUBLISHER • HU) |
| DOI | 10.14232/phd.2053 |
| OpenAlex | W4243297542 |
| Language | EN |
| References cited | 27 |
contemporary social and theatrical context, but their acting style remains more or less unresolved. 5These thorough works and studies, which especially focus on the acting techniques of the Renaissance
Aesthetics · Archaeology · Art · Art history · Sociology · The Renaissance · Visual arts · History · Theatre and Performance Studies
The Antitheatrical Prejudice
The Renaissance philosophy of man
Performance Studies
Universal experience
Outline of a Theory of Practice
Culture and Power
A New Paradigm for Theatre in the Academy
Role Playing and Identity
Travelling Players in Shakespeare’s England
On the acting of Shakespeare's plays
The English Clown Tradition from the Middle Ages to Shakespeare
Rethinking ethnography
Oral and Literate Culture in England 1500-1700
The turn of the body
Disciplines of the Text/Sites of Performance
Performance Studies
Could the World become a Stage? Theatricality and Metaphorical Structures
The Politics of Discourse
Theatricality from the Performative Perspective
Theatrical Iconography/ Iconology
From Ritual to Theatre
| Highly cited | No |
|---|