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Gender Studies and Film Studies in France

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Bibliographic Data

ID3896485
AuthorsGeneviève Sellier (Université de Caen Normandie, corresponding author)
Year2010
Volume57
Issue1
Pages103-112
Publication date2010-02-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueDiogenes (JOURNAL)
Journal identifiersISSN: 0392-1921 • E-ISSN: 1467-7695
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1177/0392192110369425
OpenAlexW2086813421
LanguageEN
Citations received2
References cited10

Fifteen years after the first translations of Anglo-American feminist film theories, this gender approach is finding it hard to gain acceptance in France. The main reason is the elitist view of cinema d'auteur that is still prevalent in academic circles, where the art is seen as a genius's creation outside social determinations in general and gender relations in particular.However, under the influence of historians and sociologists, who dominate gender research in France, French work on film privileges a historical and sociocultural approach, whereas American research is dominated by psychoanalytical approaches. French gender analyses privilege the expression of dominant relations but also of contradictions at work in the films, whether popular or by an auteur-e, as well as in the stars' image or in tv fiction. Finally some research explores the changes brought about by the emergence of female film-makers on the French scene

Art · Art history · Auteur theory · Genius · Movie theater · Political science · Sociocultural evolution · Sociology · Anthropology · French Historical and Cultural Studies · Gender Studies · Historical Gender and Feminism Studies · Historical Studies on Reproduction, Gender, Health, and Societal Changes · Law

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Unique citing works2
Citations per year0,22
Citation span2017 - 2022 (6)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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