The Women Who Knew Too Much, Hitchcock and Feminist Theory
Bibliographic Data
| ID | 4387374 |
|---|---|
| Authors | Verena Andermatt Conley, Tania Modleski |
| Year | 1989 |
| Volume | 18 |
| Issue | 2 |
| Pages | 122 |
| Publication date | 1989-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | SubStance (JOURNAL) |
| Journal identifiers | ISSN: 0049-2426 • E-ISSN: 1527-2095 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.2307/3685318 |
| OpenAlex | W4302332354 |
| Language | EN |
| Citations received | 30 |
Aesthetics · Art · Epistemology · Feminism · Feminist theory · Sociology · Art, Politics, and Modernism · Gender Studies · Philosophy
Inside/out
Great, she's super-strong and she can alter time
The Death of the Heroine
Uma bibliografia em construção
Scribblin’ Sinnin’ Sh*t
Genre as Feminist Platform
The Death-Mother in Psycho
Unruly Womanliness, Gender Dysphoria, and Anita Faleli'S Iconography
Pleasurable critiques
En)gendered (and endangered) subjects
S.o.s
Seeing the Female Body Differently
How to be a Hero
Movies, gender, and social change
Constructing a Feminist Cinematic Genealogy
The affirmative character of U.S. cultural studies
Gender Studies and Film Studies in France
Conspicuous Consumption
Las ruinas y las sombras de Manderley
Channeling Rear Window
The Sounds of Blackmail
Play It Again, Sigmund
Masculinity, Masquerade, and Genetic Impersonation
Body double as body politic
Mainstream body‐character breach films and subjectivization
Normative Masculinity and the Decoration of the Tepidarium of the Forum Baths in Pompeii
The gendering power of genres
(Auto)refleksyjność W Tremie Alfreda Hitchcocka. O Adaptacji Powieści Selwyna Jepsona
Problems with Kubrick
Nuclear Summer
| Unique citing works | 30 |
|---|---|
| Citations per year | 0,83 |
| Citation span | 1990 - 2023 (34) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 4 |