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Tar Remedies

Bibliographic Data

ID3914174
AuthorsSiobhan Angu (0000-0002-8316-6270, Carleton University), Warren Cariou (University of Manitoba)
Year2024
Volume16
Issue2
Pages478-494
Publication date2024-07-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueEnvironmental Humanities (JOURNAL)
Journal identifiersISSN: 2201-1919 • E-ISSN: 2201-1919
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/22011919-11150099
OpenAlexW4400683185
LanguageEN
References cited8

This two-part essay turns to the landscapes of bitumen mining in the Athabasca tar sands in western Canada. Despite the environmental costs of the tar sands mining process, the Canadian state remains invested in oil extraction in the tar sands. Starting from the premise that the extraction and burning of this bitumen was and is not inevitable, this dialogue locates hazardous hope in the landscapes of the Athabasca region. To do so, the first section is an analysis of Warren Cariou's photographic practice, situating his work within themes of toxicity and hope. Written by an art historian, it argues that we can read the petrographs through a mode of critical spectatorship that generates questions about how extraction makes our world and how these processes are historically contingent choices based in what society has chosen to value. The second part is a short reflection by Warren Cariou on his practice and how he theorizes hope in the context of pollution

Political science · Climate Change, Adaptation, Migration · French Urban and Social Studies · Geographies of human-animal interactions · Philosophy

  • Toxic Sublime

    Jennifer Peeples•Environmental Communication•2011

  • Petrocultures

    Sheena Wilson, Adam Carlson et al.•Petrocultures•2017

  • Staying with the Trouble

    Donna Haraway, Donna J Haraway•Staying with the Trouble•2020

  • Visual Storytelling, Intergenerational Environmental Justice and Indigenous Sovereignty

    Open Access•Samuel J Spiegel, Sarah Thomas et al.•International Journal of…•2020

  • Environmental Abstraction and the Polluted Image

    James Nisbet•American Art•2017

  • Portfolio

    Warren Cariou•Photography and Culture•2020

  • Environmental Justice, Vital Materiality, and the Toxic Sublime in Edward Burtynsky’s Manufactured Landscapes

    Sarah Jaquette Ray•GeoHumanities•2016

  • Toxic politics

    Open Access•Max Liboiron, M Tironi et al.•Social Studies of Science•2018

Citation velocityhistorical
Highly citedNo

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