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The Red Fez

Art and Spirit Possession in Africa

Bibliographic Data

ID3933012
AuthorsNadia Lovell, Fritz L Kramer, Malcolm R Green
Year1997
Volume27
Issue4
Pages446
Publication date1997-11-01
Peer ReviewedYes
Open AccessNo
TypeREVIEW
Review ofThe Red Fez: Art and Spirit Possession in Africa, Fritz Kramer, 1995
VenueJournal of Religion in Africa (JOURNAL)
Journal identifiersISSN: 0022-4200 • E-ISSN: 1570-0666
PublisherJSTOR (PUBLISHER)
DOI10.2307/1581920
OpenAlexW2080415705
LanguageEN
Citations received1

This text explores the ways in which colonial Europeans have been represented in African ritual art and drama. Kramer sets out to show that African images of Europeans - in sculpture, masquerades and above all spirit possession - are the reverse and also the counterpart of European images of the Other as savage, whether noble or ignoble. In ways which may echo 19th-century European realism, they reveal the power of the detail: a feather, a car, or the eponymous red fez which runs like a leitmotif through spirit possession cults of the early colonial period. The Red Fez demonstrates not only the startling likenesses to ourselves and our culture, but also reflections of forms of knowledge which this civilization has submerged

Art · History of religions · Political science · Possession (linguistics · African history and culture studies · Global Maritime and Colonial Histories · History · Philosophy · Religious studies

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Citation velocityhistorical
Highly citedNo

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