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Invisibility Blues

From Pop to Theory

Bibliographic Data

ID3946390
AuthorsLola Young (corresponding author), Michelle Wallace
Year1992
Volume41
Issue1
Pages131-133
Publication date1992-07-01
Peer ReviewedYes
Open AccessYes
TypeREVIEW
Review ofInvisibility blues: From Pop to Theory, Ivana Palibrk, 2008
VenueFeminist Review (JOURNAL)
Journal identifiersISSN: 0141-7789 • E-ISSN: 1466-4380
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1057/fr.1992.39
OpenAlexW1973064605
LanguageEN

In the shifting and conflicting currents of recent cultural criticism, no space is more ambiguous or difficult to define than that held by black feminism. In this new book, Michele Wallace poses the historical and conceptual questions which an emergent black feminist theory address. The author begins with a consideration of the work of her mother, the artist Faith Ringgold, and moves on to recollections of her own early life in Harlem, and an account of her development as a writer in the 1970s. She examines the collective legacy with which black artists - from Zora Neale Hurston and Ntozake Shange, to Spike Lee and Michael Jackson - must contend in carving out a distinctive cultural practice. Wallace's book marks a new departure in contemporary criticism, as she combines the flair of a popular journalist with the rigor of a committed scholar. Invisibility Blues is certain to become a landmark in cultural studies and a fundamental document in the history of black feminism

Aesthetics · Ambivalence · Art · Art history · Blues · Femininity · Feminism · Human sexuality · Invisibility · Political science · Psychoanalysis · Reading (process) · Sociology · Subject (documents) · Anthropology · Computer Science · Cultural Studies · Gender Studies · Law · Music History and Culture · Psychology · Race, History, and American Society · Research in Social Sciences

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Citation velocityhistorical
Highly citedNo

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