The Harivaṃśa, the Goddess Ekānaṃśā, and the Iconography of the Vṛṣṇi Triads
Bibliographic Data
| ID | 3958844 |
|---|---|
| Authors | André Couture, Charlotte Schmid |
| Year | 2001 |
| Volume | 121 |
| Issue | 2 |
| Pages | 173 |
| Publication date | 2001-04-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of the American Oriental Society (JOURNAL) |
| Journal identifiers | ISSN: 0003-0279 • E-ISSN: 2169-2289 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/606559 |
| OpenAlex | W221383936 |
| Language | EN |
| Citations received | 11 |
| References cited | 1 |
Ancient history · Art · Art history · Iconography · Chinese history and philosophy · History · Indian and Buddhist Studies · Study and Philosophy of Religion
Barbarians at the British Museum
Writing the Art, Archaeology and Religion of the Roman Mediterranean
Mystery Cult and Material Culture in the Graeco-Roman World
Connecting Art and Zoroastrianism in Sasanian Studies
The Viennese Invention of Late Antiquity
Empires of Faith in Late Antiquity
Krsna's Victory over Bāna and Goddess Kotavī's Manifestation in the Harivamśa
Knowing Me, Knowing You
Digging Wells While Houses Burn? Writing Histories of Hinduism in a Time of Identity Politics
The emergence of a group of four characters (Vāsudeva, Saṃkarṣaṇa, Pradyumna, and Aniruddha) in the Harivaṃśa
The Carving of Kṛṣṇa's Legend
| Unique citing works | 11 |
|---|---|
| Citations per year | 0,48 |
| Citation span | 2003 - 2025 (23) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 11 |