Heitor Villa-Lobos. The Life and Works, 1887-1959
Bibliographic Data
| ID | 3979880 |
|---|---|
| Authors | Gerard Behague (corresponding author), Eero Tarasti (0000-0002-6960-1395) |
| Year | 1996 |
| Volume | 17 |
| Issue | 1 |
| Pages | 82 |
| Publication date | 1996-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Latin American Music Review (JOURNAL) |
| Journal identifiers | ISSN: 0163-0350 • E-ISSN: 1536-0199 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/780339 |
| OpenAlex | W656801149 |
| Language | EN |
| Citations received | 8 |
Heitor Villa-Lobos was perhaps the greatest of Brazilian composers. He wrote music for voice, guitar and piano, as well as chamber pieces, concertos, and orchestral and operatic works. This book, a revision of a work first published in Finland, concentrates on his compositions, with many analyzed in depth
Tópicas afro-brasileiras como tradição inventada na música brasileira do século XX
Haydn, segundo Villa-Lobos
Intertextualidade e narratividade na Sinfonia no 1 (“O imprevisto”) de Villa-Lobos
Primeiro Movimento Do Quarteto De Cordas N.3 De Heitor Villa-Lobos
Cannibalizing Bach
A sketch of Peirce’s Firstness and its significance to art
Brazilian Sources in Milhaud's Le Boeuf sur le Toit
Heitor Villa-Lobos e Getúlio Vargas
| Unique citing works | 8 |
|---|---|
| Citations per year | 0,33 |
| Citation span | 2002 - 2024 (23) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 6 |