Driving future sounds

Imagination, Identity and Safety in Electric Vehicle Noise Design

Bibliographic Data

ID4012603
AuthorsElizabeth A Clendinning (Wake Forest University, corresponding author)
Year2018
Volume4
Issue1
Pages61-76
Publication date2018-01-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueSound Studies (JOURNAL)
Journal identifiersISSN: 2055-1940 • E-ISSN: 2055-1959
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/20551940.2018.1467664
OpenAlexW2799655693
LanguageEN
Citations received2
References cited18

Global soundscapes in the 20th century have largely been defined by the sounds of combustion-engine automobiles. Yet, as nearly-silent hybrid and electric vehicles (EVs) rise in popularity, newly created noises for such vehicles are necessary to ensure pedestrian safety. This article examines oft-competing aesthetic and practical concepts in electric vehicle sound design in dialog with Bourdieu's concept of cultural capital. First contextualizing the car and its noises as cultural capital within the 20th century, the articles demonstrates how concerns about noise pollution, safety, branding, and aesthetic opinions of what a futuristic car 'should' sound like--different ways vehicle noise functions within a soundscape--govern the sound design process. The Nissan Leaf, Toyota Prius, the Audi e-tron are presented as examples. The article also interrogates the perceived need for vehicle safety noise at all. Through focusing on the sonic imagination as embodied in the design process for electric vehicles, the article advocates for further discourse about how future vehicle noise design will shape soundscapes

Popularity · Soundscape · Diverse Musicological Studies · Music History and Culture · Noise Effects and Management

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