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Cars with the Boom

Identity and Territory in American Postwar Automobile Sound

Bibliographic Data

ID4984497
AuthorsDavid Z Morris, David Morris (0000-0002-1754-8932, corresponding author)
Year2014
Volume55
Issue2
Pages326-353
Publication date2014-04-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTechnology and Culture (JOURNAL)
Journal identifiersISSN: 0040-165X • E-ISSN: 1097-3729
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/tech.2014.0059
OpenAlexW2054749621
LanguageEN
Citations received3
References cited31

This article traces the technological and cultural transformation of car audio from its World War II-era status as an aid to middle-class information efficiency through a process of fragmentation, including the development of "boom cars." These ultraloud sound systems, enabled by wartime innovations and postwar abundance, increasingly became indexes of opposition for those at the ethnic and economic margins of American life. Boom cars turned the perfected technology of hi-fi car audio outward into the streets, using sound to aggressively contest space and assert identity. These technological practices have been met with resistance from governments, continuing the centuries-long struggle for social power on the proxy battlefield of sound, and offering a template for understanding the possibilities and challenges of technological multiculturalism

Acoustics · Ancient history · Battlefield · Boom · CONTEST · Economics · Economy · Media studies · Middle class · Multiculturalism · Opposition (politics) · Political economy · Political science · Politics · Sociology · Sound (geography) · Diverse Musicological Studies · Engineering · History · Law · Music History and Culture · Musicology and Musical Analysis

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Unique citing works3
Citations per year0,3
Citation span2016 - 2023 (8)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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