"El monte tucumano como "teatro de operaciones

Las puestas en escena del poder durante el Operativo Independencia (Tucumán, 1975-1977)

Bibliographic Data

ID4046249
AuthorsSantiago Garaño (0000-0003-2987-7802, Instituto de Lengua Literatura y Antropología, corresponding author)
Year2011
Publication date2011-09-29
Open AccessYes
TypeARTICLE
VenueNuevo mundo mundos nuevos (JOURNAL)
Journal identifiersISSN: 1626-0252 • E-ISSN: 1626-0252
PublisherOpenEdition (PUBLISHER)
DOI10.4000/nuevomundo.62119
OpenAlexW186869774
LanguageES
Citations received5
References cited3

In this paper we want to reflect on how and why in the first place, militants from the Partido Revolucionario de los Trabajadores-Ejército Revolucionario del Pueblo (PRT-ERP) and afterwards on february 1975 the military authorities, built primarily the Tucumán’s mount - a relatively peripheral or marginal place on the national scene - as the center of their militant and repressive strategy, respectively. From the analysis of a series of power “stagings” (Balandier, 1994; Abèlés, 1997), we will show how the mount was built as a “theater” where a conventional “war” of “Independence” reaffirmation was waged, where thousands and thousands of soldiers were mobilized and exalted as a paradigm of the “armed virile people” -under the mandate of life sacrifice and the moral value of heroism

Economic history · Mandate · Mount · Physics · Political science · Engineering · History · Law · Mathematics · Social Sciences and Humanities · Mechanical Engineering

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