Music and Spectacle in Baroque Rome

Barberini Patronage under Urban VIII

Bibliographic Data

ID4059544
AuthorsFrederick Hammond, Joseph P Byrne (0000-0002-0623-0398)
Year1995
Volume24
Issue1
Pages29-29
Publication date1995-07-01
Open AccessNo
TypeARTICLE
VenueHistory Reviews of New Books (JOURNAL)
Journal identifiersISSN: 0361-2759 • E-ISSN: 1930-8280
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/03612759.1995.9949183
OpenAlexW2125022530
LanguageEN
Citations received8

Part 1 Mirabil congiuntura - the programme of the Papacy: the programme of the Papacy the context of magnificence the Barberini - Urban VIII, the brothers, the nephews household musical establishments and instruments - Urban VIII, the nephews, the Barbareni instrument collection, the theorist - Giovanni Battista Doni, academies and repertory. Part 2 Symbolic spectacle - the achievement of the nephews: the fiesta - sociology, typology, sources, the Roman carnival musical patronage of churches - Roman churches and their music, the nephews and the Roman churches, Cardinal Antonio and the Jesuit centre the Barberini and the Cappella Pontificia baroque opera - the origins, the production of opera, gesture, dance and dance music Barberini opera 1628-1644 - the Barberini operas to 1634, the prince's carnival of 1634, Cardinal Francesco's operas to 1642, Cardinal Antonio's enchanted palace. Appendix: checklist of Roman festivals in the reign of Urban VIII

Archaeology · Art · Art history · Baroque · Musical · Nephew and niece · Opera · Spectacle · Visual arts · History · Philosophy · Renaissance Literature and Culture

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