Considerações peircinanas sobre o gesto na peformance do Grupo Uakti
Bibliographic Data
| ID | 4070253 |
|---|---|
| Authors | Patrícia Furst Santiago (0000-0002-5029-5623, Universidade Federal de Minas Gerais), André Borges Meyerewicz (Universidade Federal de Minas Gerais) |
| Year | 2009 |
| Issue | 20 |
| Pages | 83-91 |
| Publication date | 2009-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Per Musi (JOURNAL) |
| Journal identifiers | ISSN: 1517-7599 • E-ISSN: 2317-6377 |
| Publisher | FapUNIFESP (SciELO) (PUBLISHER) |
| DOI | 10.1590/s1517-75992009000200010 |
| OpenAlex | W1973906167 |
| SCIELO_PID | S1517-75992009000200010 |
| Language | PT |
| Citations received | 5 |
| References cited | 2 |
This article deals with some concepts and meanings of gesture in music. Based on the definition of some aspects that integrate gesture in musical performance as well as on the semiotic perspective of Charles Sanders PEIRCE (2000), we offer, according to our own perceptions, a qualitative observation of the gestural performances of the musicians that form the Grupo UAKTI in order to understand their possible meanings. We reflect on the function and importance of gesture in musical performance and its implication for the pedagogy of the instruments
Humanities · Political science · Cultural, Media, and Literary Studies · Diverse Music Education Insights · Linguistics and Education Research · Music Education and Analysis · Music Technology and Sound Studies · Philosophy · Psychology
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,45 |
| Citation span | 2015 - 2021 (7) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 4 |