The Terror of Reproduction

Early Cinema's Ghostly Doubles and the Right to One's Own Image

Bibliographic Data

ID4071503
AuthorsStefan Andriopoulo, Stefan Andriopoulos (corresponding author)
Year2006
Volume33
Issue3
Pages151-170
Publication date2006-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueNew German Critique (JOURNAL)
Journal identifiersISSN: 0094-033X • E-ISSN: 1558-1462
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/0094033x-2006-014
OpenAlexW2151914996
LanguageEN
Citations received1

Research Article| November 01 2006 The Terror of Reproduction: Early Cinema's Ghostly Doubles and the Right to One's Own Image Stefan Andriopoulos Stefan Andriopoulos Search for other works by this author on: This Site Google New German Critique (2006) 33 (3 (99)): 151–170. https://doi.org/10.1215/0094033X-2006-014 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Stefan Andriopoulos; The Terror of Reproduction: Early Cinema's Ghostly Doubles and the Right to One's Own Image. New German Critique 1 November 2006; 33 (3 (99)): 151–170. doi: https://doi.org/10.1215/0094033X-2006-014 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsNew German Critique Search Advanced Search The text of this article is only available as a PDF. New German Critique, Inc.2006 Article PDF first page preview Close Modal Issue Section: Articles You do not currently have access to this content

Archaeology · Art · Art history · Citation · German · Icon · Library science · Movie theater · Reproduction · Section (typography) · Cinema and Media Studies · Computer Science · European history and politics · German History and Society · History

Tools

Open DOISci-Hub